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IMAGINARY MEN

Eleven elegant stories proving (among other things) that American families are more varied—and more brightly fertile and warmly eccentric—than most liberal or conservative definitions dream of; winner of Iowa's annual John Simmons Short Fiction Award. Although the collection—the author's debut—is divided into two parts, ``In the Family'' and ``On the Land,'' at the heart of every story is a nest of affectionate relationships that simultaneously nourish and strangle. The first few pieces deal with traditional Jewish-American families. In ``Street Signs,'' two suburban households of the 50's, one assimilated, the other Orthodox, fall out over ceremonial matters, as their children- -especially a daughter, the narrator—remember vividly years later. In ``Tropical Aunts,'' two liberated and secular Florida-bound members of an extended family give a young girl comfort and a sense of freedom in every circumstance except a family death, when their beliefs seem merely odd. In ``Goldring Among the Cicadas'' and ``Her Michelangelo,'' a large, messy, likable nuclear family expresses love through the plentiful medium of money. In later stories, southern characters of no particular ethnicity try to work out new forms of family life after infidelity, separation, divorce, widowhood, and serial monogamy render the old forms irretrievable; many of these stories, especially the title one, have a sly, homey sophistication reminiscent of Bobbie Ann Mason. In ``Stony Limits,'' a girl in a wheelchair makes a haven of her handicapped school class; and in ``The Problem With Yosi,'' which reads like a deliberate and touching tribute to Isaac B. Singer, familial harmony on an Israeli kibbutz is good-naturedly restored by providing a misfit member with regular access to a Haifa whore. Good-natured is something all these stories are—as well as remarkably versatile, seamlessly constructed, and revealing of our common life.

Pub Date: March 1, 1993

ISBN: 0-87745-399-3

Page Count: 173

Publisher: Univ. of Iowa

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1993

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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