By weaving her own imaginative constructions in with actual journal entries of both Flaubert and Nightingale, Shomer...

THE TWELVE ROOMS OF THE NILE

Alternative literary history—the conceit here is that Florence Nightingale and Gustave Flaubert, both of whom traveled to Egypt in 1850, met on the voyage and developed an ardent friendship.

In 1850, Flaubert had not yet written Madame Bovary and Florence Nightingale was still looking for an outlet for a personality that identified with the suffering of the world and had yet found no proper channel for her empathy. Flaubert is traveling with Maxime du Camp, and both are worldly men, having frequented whorehouses over several continents. In fact, Flaubert is currently enamored with Kuchuk Hanem, whose sultry beauty he recalls with lascivious fondness—and this while having temporarily left his mistress, Louise Colet, back in France. In contrast, Nightingale is traveling with Charles and Selina Bracebridge, friends who also serve as chaperones, and she is trying to escape both a family that tries to rein in her assertive personality and a broken engagement to Richard Monckton Milnes, the English man of letters. Although Flaubert’s English is spotty, the language barrier is more than made up for by Nightingale’s excellent French. He begins addressing her as “My dear Rossignol [Nightingale],” and their conversation becomes increasingly intimate, as does their physical contact, the sensual novelist helping to loosen up the strait-laced Nightingale. Although they never consummate their relationship, the sexual energy increases dramatically when they take a caravan trip across the desert. By the end of the novel, Flaubert and Nightingale split up wistfully, neither overly nostalgic for what might have been.

By weaving her own imaginative constructions in with actual journal entries of both Flaubert and Nightingale, Shomer skillfully combines historical plausibility and historical truth.

Pub Date: Aug. 21, 2012

ISBN: 978-1-4516-4296-4

Page Count: 464

Publisher: Simon & Schuster

Review Posted Online: July 22, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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