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THE BOOK OF GOD AND PHYSICS

Too many history lectures and not enough tension.

Inspired by a mysterious real-life text, Spanish physicist Joven’s fiction debut sends three friends on a series of intellectually edifying, if less than thrilling adventures.

Since it resurfaced in 1912, the 15th- or 16th-century Voynich Manuscript has fascinated cryptologists both amateur and professional with its odd drawings and strange text, as yet undeciphered. Joven invents one such amateur cryptologist: Father Hector, a Jesuit science teacher in Spain whose school is soon to be demolished by the city, due to pressure from unknown interests. Hector, along with a circle of online colleagues, spends his time trying to decode the Voynich. His interest in the manuscript deepens after he meets two of his online collaborators in person and, working together, they make a series of breakthroughs that may tie the manuscript to, among others, Tycho Brahe, Johannes Kepler, the court of King Rudolph II of Bohemia and the Jesuits, who seem to have gone to great lengths to keep the book’s meaning hidden. Hector and his colleagues even find a surprising connection in the ancient labyrinth beneath the priest’s school. But someone is dead set against their solving the puzzle, and one of Hector’s collaborators may have an ulterior motive. A fictional adventure surrounding a real-life mystery as fascinating as the Voynich Manuscript ought to be thrilling, but Joven wrecks the pacing by inserting lengthy lectures on a variety of topics, most often the lives of Brahe and Kepler. Attempting to combine enlightenment with entertainment, the author offers too much of the former and not enough of the latter. In addition, many of the solutions to the puzzles the trio encounters aren’t satisfying; the required clues are not necessarily provided, or they hinge on knowledge of esoteric topics in science, history and architecture. Finally, the trio never seems to be in any real danger, which robs the story of drama.

Too many history lectures and not enough tension.

Pub Date: May 1, 2009

ISBN: 978-0-06-145686-2

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2009

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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