EVEN HIGHER!

A ROSH HASHANAH STORY BY I.L. PERETZ

Each year just before the High Holidays, the Rabbi of Nemirov disappears. The people are convinced that he goes to heaven to consult with God, but a skeptical (if pious and learned) Litvak refuses to believe in such a miracle. To prove his point, the Litvak secretly follows the Rabbi, who changes into the outfit of a peasant, leaves his house with an ax and some rope, enters the forest and chops some firewood, bringing it neatly tied to the shack of a sick old woman. The Rabbi kindly lights a fire and helps the woman recover enough to dance and sing. The Litvak learns an important lesson: The Rabbi’s altruism places him on a higher level than regular folk. Kimmel has retained the base of the classic Isaac Leib Peretz tale, altering it slightly to have the old woman leave her sick bed to celebrate the joy of life through song and dance and incorporating a Ukrainian folksong that has become a Rosh Hashanah hymn. Weber’s delicate, simple watercolor, crayon and ink drawings add a guileless charm to the Old World shtetl scenes. (Picture book. 5-7)

Pub Date: Sept. 1, 2009

ISBN: 978-0-8234-2020-9

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2009

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HE'S GOT THE WHOLE WORLD IN HIS HANDS

Nelson uses the old spiritual—offered here, astonishingly, in its first singleton, illustrated edition, though it’s available in many collections—as a springboard to celebrate family togetherness. Each line of a four-verse version of the lyric captions an intimate scene of an African-American lad, three sibs (one, lighter-skinned, perhaps adopted) and two parents in various combinations, posing together in both city (San Francisco) and country settings, sharing “the moon and the stars,” “the wind and the clouds,” “the oceans and the seas,” and so on. Sandwiched between views of, more or less, the whole world, Nelson alternates finished paintings in his characteristic strong, bold style with authentically childlike crayon drawings done with his left hand—demonstrating a superb ability to evoke both grand and naïve effects. Moving, reverent, spiritual indeed. (musical arrangement to close) (Picture book. 5-7)

Pub Date: Sept. 1, 2005

ISBN: 978-0-8037-2850-9

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2005

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  • SPONSORED PLACEMENT

One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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A pleasantly satisfying modern addition to the collection.

SHABBAT HICCUPS

Jonah’s incessant hiccupping during the weekly Shabbat observance prompts members of his family to suggest a solution.

Through the early-evening preparations, the candle lighting, blessings, and dinner, Jonah unsuccessfully tries to ignore or control his hiccups. Cousin Eden attempts to scare them away, and Grandma Sue suggests eating some sugar. Grandma Sue then offers a better remedy: to drink a glass of water all in one gulp. This does the trick—until the next evening, after the concluding Havdalah ceremony, when not only does Jonah have a hiccupping setback, but Grandma Sue also seems to need to follow her own advice. The story’s arc nicely folds in all the elements and practice of the weekly Shabbat celebration while maintaining a slightly understated air of amusing angst. In addition, the inclusion of the traditional Havdalah at sundown to bring the daylong observance to an end is effortlessly described, creating a complete picture for the weekly ritual. Animated faces in gouache and crayon depict a youthful family, including a contemporary grandmother with highlighted auburn hair. Jonah and his dad have pale skin and light-brown hair, while his mom and little sister have olive skin and black hair.

A pleasantly satisfying modern addition to the collection. (Picture book. 5-7)

Pub Date: March 1, 2016

ISBN: 978-0-8075-7312-9

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 20, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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