Naberhaus and Nelson give new life to Old Glory for the youngest of readers
by Sarvinder Naberhaus ; illustrated by Kadir Nelson ‧ RELEASE DATE: June 13, 2017
Sparsely worded and rich in symbols, this oversize picture book speaks boldly, both visually and textually.
From the beginning, Nelson’s artistically vibrant images make clear associations between the elements of the American flag and both what they symbolize and the diverse cast of individuals who have contributed, in the past and present, to the freedoms we all enjoy as Americans. Naberhaus’ paired homophones, when considered with the illustrations, echo historical truths. For instance, “Sew together / Won nation,” with a young Betsy Ross sewing the first flag, appears across the gutter from “So together / One nation,” with a crowd of Americans displaying different ethnic, racial, gender, and age markers looking directly at readers. At every point, Naberhaus and Nelson claim America’s multiculturalism and pluralism as assets. Although some might consider this book patriotically didactic, its reliance on symbols leaves much for readers to fill in with their own knowledge and experience. And while this text would probably have been well-received at any time in the past, many adult and child readers will warmly welcome the way it embraces the idea of “e pluribus unum” at this particular historical moment. Notes from the author and illustrator and additional notes on the author’s website about the book provide extra material for classroom discussions.
Naberhaus and Nelson give new life to Old Glory for the youngest of readers . (Picture book. 3-7)Pub Date: June 13, 2017
ISBN: 978-0-8037-3700-6
Page Count: 32
Publisher: Dial Books
Review Posted Online: March 14, 2017
Kirkus Reviews Issue: April 1, 2017
Categories: CHILDREN'S HOLIDAYS & CELEBRATIONS | CHILDREN'S POETRY
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
Categories: CHILDREN'S HOLIDAYS & CELEBRATIONS
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by Nikki Giovanni ; illustrated by Erin K. Robinson ‧ RELEASE DATE: Sept. 27, 2022
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Categories: CHILDREN'S POETRY
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