A humorous adaptation of a Spanish story similar to Verna Aardema's retelling of The Riddle of the Drum (1978, o.p.), although Kimmel (Onions and Garlic, 1996, etc.) cites Ruth Sawyer's Picture Tales from Spain as his source. The king of Spain insists that a louse that has bitten him must be treated royally, since it now has royal blood. The indulged insect grows to an enormous size, and when it dies, the king secretly has a guitar fashioned from its carcass. He invites all and sundry to guess the marvelous substance of which his guitar is made, offering marriage to one of his daughters as the prize. A peasant ventures to Madrid to try his luck, and a flea he has befriended solves the mystery. Each of the three princesses, horrified at the prospect of having to marry the peasant, bribes him not to choose her, and he departs with immense treasure and a strong mule (more valuable than a lazy princess). The flea remains at court, working his way up the ranks until he can bite the king. Kimmel's retelling, with judiciously chosen details, is good for reading aloud to kids who relish a bit of grossness in their story- hour diet. Rayevsky's boldly outlined illustrations are as earthy as the tale. (Picture book/folklore. 6-10)
Pub Date: May 15, 1997
ISBN: 0-8234-1299-7
Page Count: 30
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1997
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)
Pub Date: Feb. 1, 2006
ISBN: 0-525-47575-3
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
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