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WINGS OVER THE CHANNEL

A rousing, detailed RAF thriller that delivers an effective climax.

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A historical novel set in Britain before World War II focuses on a Royal Air Force officer.

Forsyth’s main character, RAF officer Allan Chadwick, returns to England after his adventures flying Vimy bombers in Iraq during the years preceding World War II. Chadwick is now assigned to the RAF aircraft research center at Farnborough, where he’s deeply involved in hammering out the workings of early warfare radar. He’s been tasked to create an investigative team to make formal reports on all aircraft accidents in Britain (he’s placidly warned that these probes can sometimes be “a little messy”). Unbeknown to him, he’s been identified by the Luftwaffe High Command as a possible target for subornation (“Young officer, not rich, may be open to bribery or possibly a little blackmail” goes the assessment). A covert Nazi mission code-named Amalgam sends lovely young Fraulein Inge Fischer to England in the guise of a German student visiting London. Chadwick’s own storyline is further tangled when he starts a relationship with Lady Melanie Fitzgibbon, who’s involved with a secretive political group dedicated to seeking appeasement with Germany. As these threads combine and plots mature on British soil, Chadwick finds himself at the center of high stakes and a climax full of breakneck action. Forsyth writes all this with a quick, dialogue-driven tempo that will keep readers turning the pages, with the narrative concentrating on both the nuts and bolts of bomber life in 1938 and the machinations of the Nazis in Europe and the pro-German forces in England. Forsyth’s portrayal of Chadwick is nicely textured—he’s a hero but a complex one—although not much of this multidimensionality extends to the rest of the book’s cast. Still, the snappy pacing and the sly undercurrent of humor (including a running gag about Chadwick’s behemoth old Bentley) keep the whole tale moving along briskly.

A rousing, detailed RAF thriller that delivers an effective climax.

Pub Date: N/A

ISBN: 979-8-9853220-0-2

Page Count: 308

Publisher: Yacht Fiona Books

Review Posted Online: Feb. 13, 2022

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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DAUGHTERS OF THE SUN AND MOON

A flawed but necessary read about a dark moment in American history.

See’s latest novel exposes a forgotten, ugly chapter in LA history—the brutal 1871 massacre of 18 Chinese immigrant men and boys.

In July 1870, two Chinese women arrive in Lo Sang, a dusty frontier town known by its white and Hispanic residents as Los Angeles. Seventeen-year-old Dove, the bound-footed daughter of an imperial scholar fallen on hard times, is the new second wife of Old Man Sing, a merchant in the tiny Chinese community on Calle de los Negros. Barefoot, dark-skinned Petal, sold into servitude to a Gold Mountain tong by her desperately poor peasant father, is destined for the Midnight Garden, a bawdy house owned by Headman Sam. Witnessing the newcomers’ arrival is Moon, the wife of a successful doctor of traditional Chinese medicine. Unlike Petal and Dove, she speaks English, and she assists her husband in his clinic. The three alternating narratives—Petal tells her story as she lives it in 1870; an elderly Moon recalls past events from 1926; and Dove’s tale is recounted in a distant third-person voice—create a portrait of a tiny immigrant community surrounded by a hostile culture and ruled by rival tongs. It’s a shootout between these disputing factions that sets off the horrifying events of Oct. 24, 1871, when a mob of about 500 white and Latine residents torture and lynch their Chinese victims. Although meticulously researched, See’s novel feels curiously flat. Despite continual descriptions of gunfights breaking out, Los Angeles never fully comes to life as a rough-and-tumble Wild West town. While the author’s female protagonists, inspired by historical figures, are well drawn (kudos to the feisty and determined Petal), most of her male characters—Chinese, Anglo, and Mexican—are as flat and indistinguishable as cardboard. Another drawback is See’s stilted and stylized dialogue, typical of historical fiction but wearying to the modern reader.

A flawed but necessary read about a dark moment in American history.

Pub Date: June 9, 2026

ISBN: 9781982117054

Page Count: 384

Publisher: Scribner

Review Posted Online: May 4, 2026

Kirkus Reviews Issue: June 1, 2026

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