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THE LAST SEASON

A rambling, yet compelling portrait of a man who perhaps loved the wilderness too much.

Probing account of the mysterious death in the High Sierras of a veteran National Park Service ranger and the passion that shaped his life.

Blehm, an outdoor-sports editor and writer, goes to great lengths to establish the wilderness experience, skills and dedication of outdoorsman Randy Morgenson in a sometimes redundant apotheosis. Morgenson mysteriously disappeared in his 28th season as a backcountry ranger while on patrol in July 1996, in the Kings Canyon national park, some 200 miles south of Yosemite in a valley called, by legendary wilderness pioneer John Muir, one of the most beautiful in the Sequoia region. Yet while the book unfolds with flashbacks as his fellow rangers marshal to search for him some six days after his last communication, Blehm also builds the picture of a complex and conflicted person, as well as a man whose wife, having become aware of his recent affair, is seeking a divorce. The question of whether Morgenson was in a state of depression serious enough to take his own life haunts the expedition as the search party fans out, some recalling that he “hadn’t been himself” in the weeks or even months prior. The suspense is leavened by hints that the circumstances of his death are not to be immediately resolved. But in piecing together Morgenson’s conversations, memos and personal journals while serving (as backcountry rangers sum it up) “to protect the park from the people and the people from the park,” Blehm somewhat offhandedly illuminates the ultimate quandary of wilderness preservation: For whom and for what do we persist in it? Morgenson’s conflict yields an apt metaphor: Privately referring to outsiders who intruded into his idyllic solitude as “swinish Americans,” he nonetheless established an exemplary record of providing aid to all who got into trouble on his watch.

A rambling, yet compelling portrait of a man who perhaps loved the wilderness too much.

Pub Date: April 7, 2006

ISBN: 0-06-058300-2

Page Count: 352

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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