Only the vivid portraits of presanitized, pregentrified New York neighborhoods offer some relief from the sour monotony of...
In actor/playwright Bogosian’s third novel (Wasted Beauty, 2005, etc.), a successful middle-aged author finds another writer just as egotistical: himself, many years younger.
Richard Morris is single, childless and lecherous. The 56-year-old Jewish novelist lives to write, make money and bed pretty girls. Richard the lover belongs to the wham-bam school; as a thank-you, the lucky lady might get an autographed copy of his latest book (his fifth is just out). Recovering from heart surgery in his Connecticut country house in 2006, Richard stumbles on journals he’d written 30 years ago; the narrative from that point on alternates between the journal entries of Richard the Elder and the Younger. The latter is getting his bearings in New York. He shares a Manhattan apartment with an Israeli and a sexy Polish poet working at a real-estate agency. Richard makes a living answering phones at a video-art company in SoHo—still an actual artists’ colony in the 1970s—but he lives to get wasted, get laid and write up a storm, secretly taping his encounters to use as material for his stories. (Never trust a writer.) This will get him into trouble with Big John, a freaky pot dealer who generously shares his encyclopedic knowledge in his Williamsburg loft. Though Richard the Elder claims to be embarrassed by the excesses of his young self, all that really separates them is the beginner’s boundless energy. Both men are self-pitying, self-involved loners, and a little of this goes a long way, as Bogosian relentlessly hammers home his point. While his previous novels showcased a range of characters, here Richard sucks up all the oxygen. The revelations pile up; the self-portrait darkens to include a conveniently forgotten rape. At the end, Richard tracks down Big John, now a schizo in a nut house, and messes with his old lady and their son. It’s a gratuitous twist of the knife.
Only the vivid portraits of presanitized, pregentrified New York neighborhoods offer some relief from the sour monotony of the two Richards’ escapades.Pub Date: May 5, 2009
ISBN: 978-1-4165-3409-9
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2009
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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