Kids will have fun following Charlie as he solves the mystery and reinforce their fraction skills along the way
Pizza night brings a mystery, and plenty of math, to the Piechart household.
Charlie’s family of five is joined by his friend Lewis, which means that if they order a large pizza, each of them will get two slices. But can they agree on toppings? Four-sixths want nothing to do with veggies, and no one wants anchovies. Pepperoni it is. But between the pizza’s arrival and its serving, one piece has gone missing. Charlie goes into full detective mode (his dog is even named Watson!) and hunts for clues, then turns to his five suspects…though maybe he should include one more. Comstock and Sadler give readers plenty of exposure to fractions in both written and pie-chart form: fittingly, Charlie’s body is a round pie chart that changes to reflect the math around him. The authors find sneaky ways to seamlessly add more and more fractions to the tale while at the same time upping the humor: Charlie has his sisters do the burp test to see if they are guilty. Debut illustrator Comstock’s digital artwork is a retro-modern throwback, from the red, white, mustard, and turquoise palette to the asterisk designs on the plates and the furniture shapes.
Kids will have fun following Charlie as he solves the mystery and reinforce their fraction skills along the way . (Math picture book. 4-8)Pub Date: Sept. 1, 2015
ISBN: 978-0-06-237054-9
Page Count: 40
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: June 22, 2015
Kirkus Reviews Issue: July 15, 2015
BOOK REVIEW
BOOK REVIEW
As precious as sunshine.
Rituals to celebrate the cycle of light and dark have existed since the beginning of time.
Newbery Medalist Cooper uses sparse, evocative language that personifies how humans celebrate the changing of the seasons. Featuring a poem created first for the Christmas Revels, the book tells the story of the solstices, how the world moves from the year’s longest day in the summer to the shortest day of winter. The tone is both solemn and reverent yet also full of rejoicing. The story begins as silent as sunrise, the rich, evocative illustrations of Caldecott Honoree Ellis giving voice as she shows early humans working during the time of light, their day’s activities revolving around the movement of the sun. “So the shortest day came,” writes Cooper, and Ellis’ beautiful gouache paintings depict a world that is pushing against the dark with candles and dance and song. Despite the urgency of the people to push away darkness for light, the tone of the tale is one of hope, anticipation, love, joy and spiritual happiness, culminating with Yule. People depicted morph from early hunter-gatherers to people in northern European medieval garb to a multiracial gathering. They gather in a modern Western home with mantelpiece decorated with menorah and holly, singing carols by the Christmas tree.
As precious as sunshine. (author’s note) (Picture book. 4-8)Pub Date: Oct. 22, 2019
ISBN: 978-0-7636-8698-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Sept. 1, 2019
A feisty manifesto and appealing visual experience for those who find books thrust upon them.
After declaring refusal to do so, an unseen narrator reads this book.
The book’s title appears as a Post-it note attached to the cover. With lighthearted, whimsical word-art drawings, hand-lettering, a clipped pace, and a palette dominated by a warm peach tone, the story features a wry and opinionated offstage narrator who provides metatextual commentary about the scorned book at hand. “Let me guess...Words,” says the snarky narrator about what to expect when opening the book. Some words, such as the word doubtwith its useless letter B, are “plain ridiculous.” And then there are unnecessarily large words, such as infinitesimal, which (confoundingly) means “small.” By now, the narrator has reached peak crankiness. The next objects of the narrator’s ire are sentences, described as “too many words all smushed together,” followed by paragraphs (“Just looking at a paragraph exhausts me”) and chapters. (Cue Chapter 2!) The hyperbolic vexation is genuinely funny as medium and message converge. Words, sentences, paragraphs, an entire chapter, and the ending are presented in this anti-reading diatribe, the enddepicted in triumphant, celebratory fireworks. Greenfield’s gentle satire and Lowery’s genuinely entertaining cartoon translation of prose to art might charm even avid readers (who may remember once agreeing with some of the narrator’s sentiments). (This book was reviewed digitally.)
A feisty manifesto and appealing visual experience for those who find books thrust upon them. (Picture book. 4-8)Pub Date: Nov. 9, 2021
ISBN: 978-0-593-32606-0
Page Count: 40
Publisher: Putnam
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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