While the intensity of Dupont’s prose can be maddening, the sweet, sour, and salty world he creates is thoroughly addictive.

THE AMERICAN FIANCÉE

French Canadian Dupont’s bruiser of a novel begins as a traditional family saga set in a small, early-20th-century Quebec village before swerving into new, less linear, and more psychologically demanding territory.

Born in 1918 and almost immediately orphaned, larger-than-life figure Louis Lamontagne grows up with his grandmother Madeleine, a powerhouse herself, in Rivière-du-Loup. The names Louis and Madeleine will recur among other characters, as will a birthmark shaped like a bass clef and blue eyes in a particular shade of teal. Louis’ nickname, "The Horse,” is his alone, however, derived from his mythic strength. Womanizing, storytelling Louis’ life is by turns rollicking and tragic. He evolves from a charismatic, beloved boy to a witness to World War II atrocities to an alcoholic funeral director after his youngest son dies in a tragic accident. His middle child, Madeleine, eventually takes center stage. As a pregnant, unmarried teenager, she moves to Quebec City in the 1960s and opens a diner that she expands into a hugely successful chain while raising twin sons, Michel and Gabe. This first half of the novel, chock full of digressive stories about seemingly minor characters, has a rambling, overstuffed, 19th-century feel. But then, more than 250 pages in, Dupont shifts gears; the novel narrows and becomes epistolary. In 1999, Gabe, on a hopeless romantic quest in Germany, and Michel, an opera singer making a controversial film version of Tosca in Rome, begin a correspondence expressing their ambivalence toward each other and their conflicting views of their mother. Meanwhile, Gabe meets an elderly German woman with a convoluted story she shares in notebooks that take Gabe and the reader in unexpected directions. Everyone’s version of events differs here; there’s no trusting who’s hero, victim, or villain—or what’s real; parallels accumulate; every casually mentioned detail becomes important as truths are revealed.

While the intensity of Dupont’s prose can be maddening, the sweet, sour, and salty world he creates is thoroughly addictive.

Pub Date: Feb. 11, 2020

ISBN: 978-0-06-294745-1

Page Count: 608

Publisher: HarperVia/HarperCollins

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.

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WHERE THE CRAWDADS SING

A wild child’s isolated, dirt-poor upbringing in a Southern coastal wilderness fails to shield her from heartbreak or an accusation of murder.

“The Marsh Girl,” “swamp trash”—Catherine “Kya” Clark is a figure of mystery and prejudice in the remote North Carolina coastal community of Barkley Cove in the 1950s and '60s. Abandoned by a mother no longer able to endure her drunken husband’s beatings and then by her four siblings, Kya grows up in the careless, sometimes-savage company of her father, who eventually disappears, too. Alone, virtually or actually, from age 6, Kya learns both to be self-sufficient and to find solace and company in her fertile natural surroundings. Owens (Secrets of the Savanna, 2006, etc.), the accomplished co-author of several nonfiction books on wildlife, is at her best reflecting Kya’s fascination with the birds, insects, dappled light, and shifting tides of the marshes. The girl’s collections of shells and feathers, her communion with the gulls, her exploration of the wetlands are evoked in lyrical phrasing which only occasionally tips into excess. But as the child turns teenager and is befriended by local boy Tate Walker, who teaches her to read, the novel settles into a less magical, more predictable pattern. Interspersed with Kya’s coming-of-age is the 1969 murder investigation arising from the discovery of a man’s body in the marsh. The victim is Chase Andrews, “star quarterback and town hot shot,” who was once Kya’s lover. In the eyes of a pair of semicomic local police officers, Kya will eventually become the chief suspect and must stand trial. By now the novel’s weaknesses have become apparent: the monochromatic characterization (good boy Tate, bad boy Chase) and implausibilities (Kya evolves into a polymath—a published writer, artist, and poet), yet the closing twist is perhaps its most memorable oddity.

Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.

Pub Date: Aug. 14, 2018

ISBN: 978-0-7352-1909-0

Page Count: 384

Publisher: Putnam

Review Posted Online: May 15, 2018

Kirkus Reviews Issue: June 1, 2018

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Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping...

WITHOUT FAIL

From the Jack Reacher series , Vol. 6

When the newly elected Vice President’s life is threatened, the Secret Service runs to nomadic soldier-of-fortune Jack Reacher (Echo Burning, 2001, etc.) in this razor-sharp update of The Day of the Jackal and In the Line of Fire that’s begging to be filmed.

Why Reacher? Because M.E. Froelich, head of the VP’s protection team, was once a colleague and lover of his late brother Joe, who’d impressed her with tales of Jack’s derring-do as an Army MP. Now Froelich and her Brooks Brothers–tailored boss Stuyvesant have been receiving a series of anonymous messages threatening the life of North Dakota Senator/Vice President–elect Brook Armstrong. Since the threats may be coming from within the Secret Service’s own ranks—if they aren’t, it’s hard to see how they’ve been getting delivered—they can’t afford an internal investigation. Hence the call to Reacher, who wastes no time in hooking up with his old friend Frances Neagley, another Army vet turned private eye, first to see whether he can figure out a way to assassinate Armstrong, then to head off whoever else is trying. It’s Reacher’s matter-of-fact gift to think of everything, from the most likely position a sniper would assume at Armstrong’s Thanksgiving visit to a homeless shelter to the telltale punctuation of one of the threats, and to pluck helpers from the tiny cast who can fill the remaining gaps because they aren’t idiots or stooges. And it’s Child’s gift to keep tightening the screws, even when nothing’s happening except the arrival of a series of unsigned letters, and to convey a sense of the blank impossibility of guarding any public figure from danger day after highly exposed day, and the dedication and heroism of the agents who take on this daunting job.

Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping himself these days.

Pub Date: May 1, 2001

ISBN: 0-399-14861-2

Page Count: 384

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2002

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