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VIEW TO A KILL

A truly unique protagonist fuels plenty of action and intrigue in this smart and twisty SF thriller.

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When the creator of a powerful brain-implant technology is found murdered, a telepath is brought in to find answers in Fullilove’s SF novel.

The year is 2052 and brain-chip implants have become an unspoken requirement in society. Those made by NeuralStent are the best of the best…and only available to the wealthy. Jenny Sixa, a psychic whose “cruel talent” is the ability to see the last thoughts of murder victims in order to discover who killed them, encounters the most baffling case of her career when the LAPD’s Derrick Trent calls her in to discover who murdered NeuralStent’s founder, billionaire Ellen Pompeii. Sixa scorns NeuralStent’s inaccessibility to the nonwealthy people living in the “Zone,” which essentially forces them to gamble their lives with cheap knockoffs because “without chips, people can’t work, can’t compete in a society that demands the ability to access and manipulate information and equipment in a way that requires augmentation.” Still, she takes the case—but to her horror, Sixa quickly discovers that she can’t find anything in Pompeii’s final thoughts. The police rush to find someone to blame—in this case, a young man named Jamal Smith who had previously served time in jail—but Sixa isn’t convinced they have the right guy. As she and Trent dig deeper, they begin to peel back the layers of a dark underworld full of illegal chip augmentations, gluttonous investors, and a research discovery that might just bring down the entire brain-implant system. Meanwhile, bodies continue piling up—all of which have that odd blankness as their last memory that Sixa can’t crack—and Smith’s execution day looms as the investigative duo rapidly runs out of time.

Fullilove has crafted a thrilling futuristic tale that never shies away from taking aim at soulless corporations and their insatiable desire for profits: “A human life. Coin of the realm for the greedy and the merciless.” Some of the novel’s themes will likely prove familiar to those well versed in the SF canon; fans of Philip K. Dick’s Do Androids Dream of Electric Sheep? (1968) will no doubt see some similarities in this largely dystopic world where humans with brain-chip implants have become vastly preferable to the “artificials” (androids) who had previously dominated the workforce and are now “engineered with limited life spans.” Some of the explanations of the brain-chip technology can become a bit long-winded, but Fullilove largely keeps the pace brisk with realistic dialogue and a keen balance between detective-type mystery and adrenaline-fueled action. The real standout, however, is Sixa herself. Whip-smart and utterly compelling, she proves over and over again to be a no-nonsense (and amusingly foul-mouthed) champion of the common people. Many readers will likely find her scathing remarks about the ability of privilege and wealth to buy some semblance of justice eerily relevant: “LAPD has got indifference down to a science, with an algorithm that calculates how fucked you are down to a decimal point…Not to mention the poor slobs in the Zone, because money can’t buy justice in the Zone, detective, it can only buy you scapegoats.” These themes of class, technology vs. morality, and social responsibility come appealingly wrapped in a fun and surprising futuristic odyssey.

A truly unique protagonist fuels plenty of action and intrigue in this smart and twisty SF thriller.

Pub Date: Jan. 21, 2025

ISBN: 9798891324909

Page Count: 300

Publisher: Atmosphere Press

Review Posted Online: Feb. 21, 2025

Kirkus Reviews Issue: April 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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