Adolescent romance and mischief animate an endearing, gleefully raunchy coming-of-age tale.
A teen at a Jewish sleepaway camp relishes a summer of adventure and raging hormones in Glickman’s debut graphic novel.
It’s June 1977, and 15-year-old Eric Glickman is finally an “oldest senior” at Camp Pock-a-Wocknee. This status affords him and his friends in Bunk 19 certain privileges, including a slightly later curfew. Most of the boys have their eyes on the girl campers, and it’s not long before Eric notices a curly-haired girl named Amy. The freedom at camp allows Eric to enjoy idyllic outings and indulge in antics with his pals, but he makes time for smart and funny Amy, who he hopes likes him, too. Getting her alone, however, may not be possible, not with the so-called Man in the Poncho hanging around camp. As Eric is the only one to repeatedly see this legendary figure, he has to wonder: Is he simply paranoid or in actual peril? Author and illustrator Glickman’s charming, nostalgic slice of adolescence includes such welcome touches as sprightly footnotes for the copious pop-culture references and specific details of the various meals and snacks the youngsters devour. There’s also unabashed toilet humor (sometimes literal), along with sex jokes, casual profanity, and occasional (male) nudity. Eric makes for a winsome protagonist who feels more like himself at camp than he does at school, where there aren’t many other Jewish kids like him. And while scoring is a priority for some, Eric clearly wants to get to know Amy and isn’t overly concerned with what base, if any, he’s on. Glickman’s bold black-and-white artwork comically exaggerates features and shines brightest when animating what’s in Eric’s head, as when the boys, hopped up on sugary cereals, ride metaphorical “sugar beasts,” and a post-kiss Eric transforms into a caped superhero.
Adolescent romance and mischief animate an endearing, gleefully raunchy coming-of-age tale.Pub Date: Dec. 20, 2022
ISBN: 978-1990521072
Page Count: 304
Publisher: Black Panel Press
Review Posted Online: Feb. 24, 2023
Review Program: Kirkus Indie
PERSPECTIVES
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times...
A bland, uninspired graphic adaptation of the Bard’s renowned love story.
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times oddly psychedelic-tinged backgrounds of cool blues and purples, the mood is strange, and the overall ambiance of the story markedly absent. Appealing to what could only be a high-interest/low–reading level audience, McDonald falls short of the mark. He explains a scene in an open-air tavern with a footnote—“a place where people gather to drink”—but he declines to offer definitions for more difficult words, such as “dirges.” While the adaptation does follow the foundation of the play, the contemporary language offers nothing; cringeworthy lines include Benvolio saying to Romeo at the party where he first meets Juliet, “Let’s go. It’s best to leave now, while the party’s in full swing.” Nagar’s faces swirl between dishwater and grotesque, adding another layer of lost passion in a story that should boil with romantic intensity. Each page number is enclosed in a little red heart; while the object of this little nuance is obvious, it’s also unpleasantly saccharine. Notes after the story include such edifying tidbits about Taylor Swift and “ ‘Wow’ dialogs from the play” (which culls out the famous quotes).Pub Date: May 10, 2011
ISBN: 978-93-80028-58-3
Page Count: 80
Publisher: Campfire
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
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