by Eric H. Roth Toni Aberson ‧ RELEASE DATE: March 20, 2011
A slim, basic but solid activity and conversation book for teachers looking for direction in their English as a Foreign...
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Roth and Aberson return with the next installment of their Compelling Conversations series (Compelling Conversations: Questions and Quotations on Timeless Topics, 2007), presenting conversation topics, activity ideas and interesting quotes for Vietnamese students of the English language.
A combination textbook and workbook for “Advanced Vietnamese English Language Learners,” this book includes activities to execute with conversation partners or as part of a class, lists of vocabulary with clear definitions and proverbs and quotations revolving around each chapter’s theme. Some self-directed activities, such as documenting observations of other people’s speech patterns, are suggested in the margins. Specific chapter themes cover eating and drinking, making and keeping friends, exploring cities, talking about movies, school stories and bridging differences between strangers and cultures. The book’s appendix contains evaluation sheets for class presentations, interview sheets for student-stranger interactions and lists of vocabulary words without definitions (definitions are provided in the chapters themselves). There is some confusion about the audience of the book. Many sections direct the reader to break into groups and discuss themselves or specific quotations, implying that the book is not intended for learners studying on their own, but for groups or classes. The book seems most useful as a resource for teachers, and yet many portions directly address students. As the book currently exists, the teacher must adapt the sample responses and quotations if they wish to deploy that content in class. Despite these issues, the book has a number of strengths and the authors are veteran teachers whose experience is reflected in the book’s content. The conversation topics are useful and the proverbs, quotes and vocabulary are all appropriate for advanced Vietnamese EFL students. The book seems like it would be most effective for Vietnamese students studying in Vietnam, students who have little to no experience travelling abroad or limited access to native speakers of English. However, themes like “Eating and Drinking” will seem too basic for advanced speakers of English who have lived abroad or grown up in the U.S. or Australia.
A slim, basic but solid activity and conversation book for teachers looking for direction in their English as a Foreign Language classes.Pub Date: March 20, 2011
ISBN: 978-0982617816
Page Count: 108
Publisher: CreateSpace
Review Posted Online: June 9, 2011
Review Program: Kirkus Indie
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by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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