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The Apology

An impressive novel, brimming with action and history, with a lead character that has enough swagger for future adventures.

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A filmmaker comes to terms with his past in Southeast Asia while battling denizens of the criminal underworld in this debut political thriller.

Video producer Christian Lindstrom has come to Vietnam to shoot tourism commercials for a high-end, Tokyo-based advertising agency. Together with Japanese-Vietnamese co-producer Nachi Tanaka and Vietnamese production assistant Hai, he scours the lush, historic environs in and around the city of Hanoi for shooting locations. Their work becomes bittersweet for Lindstrom, as he’s haunted by his memories of being an armed combat soldier on the very same streets. As the production proceeds through Ho Chi Minh City and Tan Son Nhut Air Force base, Christian’s attraction for Nachi deepens, but then she suddenly disappears in Hoi An, a port city on Vietnam’s central coast. She later appears in a ransom video on YouTube, seemingly at the mercy of two kidnappers who demand an apology from the Japanese government for a World War II massacre of thousands of the city’s citizens. The story goes viral as the clock ticks down to Nachi’s potential murder. Soon, Christian, aided by Hai and clever police investigator Bao, risks life and limb to rescue Nachi, but things take an unexpected turn, involving a vengeful Hanoi gangsters and police-protected Yakuza hit men. In a brisk succession of clipped chapters, Haggman, an advertising agency entrepreneur, incorporates vital snippets of Vietnam’s past into the framework of his novel. This sense of nuance embellishes the storyline, gives readers historical perspective, and gives the nefarious evildoers a purpose for their malevolence. The author also quickly ramps up the suspense when Nachi disappears early on. Overall, these qualities add up to a thrilling, fully immersive, and cinematic reading experience. The ominous, open-ended conclusion, meanwhile, leaves room for potential further installments.

An impressive novel, brimming with action and history, with a lead character that has enough swagger for future adventures.

Pub Date: May 20, 2016

ISBN: 978-0-9973137-0-3

Page Count: 316

Publisher: CreateSpace

Review Posted Online: Sept. 27, 2016

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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