An impressive novel, brimming with action and history, with a lead character that has enough swagger for future adventures.
A filmmaker comes to terms with his past in Southeast Asia while battling denizens of the criminal underworld in this debut political thriller.
Video producer Christian Lindstrom has come to Vietnam to shoot tourism commercials for a high-end, Tokyo-based advertising agency. Together with Japanese-Vietnamese co-producer Nachi Tanaka and Vietnamese production assistant Hai, he scours the lush, historic environs in and around the city of Hanoi for shooting locations. Their work becomes bittersweet for Lindstrom, as he’s haunted by his memories of being an armed combat soldier on the very same streets. As the production proceeds through Ho Chi Minh City and Tan Son Nhut Air Force base, Christian’s attraction for Nachi deepens, but then she suddenly disappears in Hoi An, a port city on Vietnam’s central coast. She later appears in a ransom video on YouTube, seemingly at the mercy of two kidnappers who demand an apology from the Japanese government for a World War II massacre of thousands of the city’s citizens. The story goes viral as the clock ticks down to Nachi’s potential murder. Soon, Christian, aided by Hai and clever police investigator Bao, risks life and limb to rescue Nachi, but things take an unexpected turn, involving a vengeful Hanoi gangsters and police-protected Yakuza hit men. In a brisk succession of clipped chapters, Haggman, an advertising agency entrepreneur, incorporates vital snippets of Vietnam’s past into the framework of his novel. This sense of nuance embellishes the storyline, gives readers historical perspective, and gives the nefarious evildoers a purpose for their malevolence. The author also quickly ramps up the suspense when Nachi disappears early on. Overall, these qualities add up to a thrilling, fully immersive, and cinematic reading experience. The ominous, open-ended conclusion, meanwhile, leaves room for potential further installments.
An impressive novel, brimming with action and history, with a lead character that has enough swagger for future adventures.Pub Date: May 20, 2016
ISBN: 978-0-9973137-0-3
Page Count: 316
Publisher: CreateSpace
Review Posted Online: Sept. 27, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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