A must for World War II buffs.
A richly illustrated account of one of the most iconic moments in World War II.
Military historian Hammel (War in the Western Pacific, 2014, etc.) begins with his own first awareness of Joe Rosenthal’s famous photo of the flag-raising, which became the inspiration for the Marine Corps War Memorial sculpture. In a brief prologue, the author tells how the flag came to be raised not once but twice. He then circles back to the battle, beginning with the decision to take the volcanic island, which would give the U.S. a base for its heavy bombers within striking distance of the enemy homeland as well as capturing an integral part of the Japanese empire, an important symbolic victory. Unlike other battles in which the Japanese fought in mass “banzai” attacks, their plan here was for tenacious defense from a well-designed series of bunkers and strongholds, a plan buttressed with major reinforcements until a month before the landing. In short, the Marines were in for a brutal ordeal. Hammel profiles the men and officers of Company E, the main body involved in the capture of the mountain, and then follows the course of the battle through the flag-raising and its aftermath. Some men died on the island, others survived the war, and a few were singled out as heroes because of their parts in the flag-raising, a role they neither sought nor enjoyed. But the identities of the men involved in the iconic event were never clear until well after the war. Hammel describes the way the image of the flag-raising became a symbol of the Marines and the way the survivors eventually tried to get the full story made part of the official record. He documents this effort by including the reports of the Huly Board, which determined the facts, and the detailed photographic evidence the board worked from. Ultimately, readers receive a unique view of a key battle and learn how, years later, the story was put into proper context.
A must for World War II buffs.Pub Date: Oct. 2, 2018
ISBN: 978-1-61200-629-1
Page Count: 224
Publisher: Casemate
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
HISTORY | MILITARY | WORLD | GENERAL HISTORY
BOOK REVIEW
Never especially challenging or provocative but pleasant enough light reading.
Former Dirty Jobs star Rowe serves up a few dozen brief human-interest stories.
Building on his popular podcast, the author “tells some true stories you probably don’t know, about some famous people you probably do.” Some of those stories, he allows, have been subject to correction, just as on his TV show he was “corrected on windmills and oil derricks, coal mines and construction sites, frack tanks, pig farms, slime lines, and lumber mills.” Still, it’s clear that he takes pains to get things right even if he’s not above a few too-obvious groaners, writing about erections (of skyscrapers, that is, and, less elegantly, of pigs) here and Joan Rivers (“the Bonnie Parker of comedy”) there, working the likes of Bob Dylan, William Randolph Hearst, and John Wayne into the discourse. The most charming pieces play on Rowe’s own foibles. In one, he writes of having taken a soft job as a “caretaker”—in quotes—of a country estate with few clear lines of responsibility save, as he reveals, humoring the resident ghost. As the author notes on his website, being a TV host gave him great skills in “talking for long periods without saying anything of substance,” and some of his stories are more filler than compelling narrative. In others, though, he digs deeper, as when he writes of Jason Everman, a rock guitarist who walked away from two spectacularly successful bands (Nirvana and Soundgarden) in order to serve as a special forces operative: “If you thought that Pete Best blew his chance with the Beatles, consider this: the first band Jason bungled sold 30 million records in a single year.” Speaking of rock stars, Rowe does a good job with the oft-repeated matter of Charlie Manson’s brief career as a songwriter: “No one can say if having his song stolen by the Beach Boys pushed Charlie over the edge,” writes the author, but it can’t have helped.
Never especially challenging or provocative but pleasant enough light reading.Pub Date: Oct. 15, 2019
ISBN: 978-1-982130-85-5
Page Count: 224
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
A zesty, energetic history, not only of a building, but of more than a century of American culture.
A revealing biography of the fabled Manhattan hotel, in which generations of artists and writers found a haven.
Turn-of-the century New York did not lack either hotels or apartment buildings, writes Tippins (February House: The Story of W. H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof In Wartime America, 2005). But the Chelsea Hotel, from its very inception, was different. Architect Philip Hubert intended the elegantly designed Chelsea Association Building to reflect the utopian ideals of Charles Fourier, offering every amenity conducive to cooperative living: public spaces and gardens, a dining room, artists’ studios, and 80 apartments suitable for an economically diverse population of single workers, young couples, small families and wealthy residents who otherwise might choose to live in a private brownstone. Hubert especially wanted to attract creative types and made sure the building’s walls were extra thick so that each apartment was quiet enough for concentration. William Dean Howells, Edgar Lee Masters and artist John Sloan were early residents. Their friends (Mark Twain, for one) greeted one another in eight-foot-wide hallways intended for conversations. In its early years, the Chelsea quickly became legendary. By the 1930s, though, financial straits resulted in a “down-at-heel, bohemian atmosphere.” Later, with hard-drinking residents like Dylan Thomas and Brendan Behan, the ambience could be raucous. Arthur Miller scorned his free-wheeling, drug-taking, boozy neighbors, admitting, though, that the “great advantage” to living there “was that no one gave a damn what anyone else chose to do sexually.” No one passed judgment on creativity, either. But the art was not what made the Chelsea famous; its residents did. Allen Ginsberg, Bob Dylan, Andy Warhol, Janis Joplin, Leonard Cohen, Robert Mapplethorpe, Phil Ochs and Sid Vicious are only a few of the figures populating this entertaining book.
A zesty, energetic history, not only of a building, but of more than a century of American culture.Pub Date: Dec. 3, 2013
ISBN: 978-0-618-72634-9
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 18, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
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