In this sensual road trip across LA there are deep conversations, adult situations, and a sweet love story at every turn.

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THE BUSINESS OF LOVERS

An out-of-work project manager and his two brothers are broke and brokenhearted in Los Angeles—until a trio of sex workers offers him a way to help his whole family.

A “pace of asses” is what Brick jokingly calls them. But the three women he works with—Penny, Christiana, and Mocha Latte—are sophisticated, well educated, and down on their luck thanks to bad jobs and worse relationships. He’s initially hired to serve as their chauffeur, but soon their high-end female clients invite him inside for more. These high-powered women have deep pockets and deep emotional issues to match, but Brick seems to enjoy giving them the boyfriend experience. He’s out of work after a bout with cancer, and he’d also like to help out his brother Dwayne, whose kid and ex-girlfriend are struggling too. Dwayne is a fairly successful stage actor, but after hitting a rough patch he’s behind on his child support payments, and his ex-girlfriend won’t let him forget it. Their other brother, André, meanwhile, has managed to turn his unfortunate run-ins with the cops (and other hazards of being black in America) into a popular comedy routine. The brothers see LA from all angles, from its high-end hotels to its neglected homeless population. An education alone can’t guarantee survival in California’s unforgiving real estate market, especially not for people of color. But love can help (or hurt) their chances, and when it goes wrong, as Dwayne’s ex observes, “Love spares no one. We all pay.” Brick’s neighborhood is also home to fictional bill collector Ken Swift, and here Dickey (Before We Were Wicked, 2019, etc.) has left an Easter egg for readers to find.

In this sensual road trip across LA there are deep conversations, adult situations, and a sweet love story at every turn.

Pub Date: April 21, 2020

ISBN: 978-1-5247-4520-2

Page Count: 400

Publisher: Dutton

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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This thriller about the pursuit of a serial killer suffers from an unpleasant hero and a glacial pace.

OUTFOX

An FBI agent is determined to catch a man who bilks and murders wealthy women, but the chase goes slowly.

Brown (Tailspin, 2018, etc.) has published 70 bestsellers, and this one employs her usual template of thriller spiked with romance. Its main character, Drex Easton, is an FBI agent in pursuit of a serial killer, but for him it’s personal. When he was a boy, his mother left him and his father for another man, Weston Graham. Drex believes Graham murdered her and that he has killed at least seven more women after emptying their bank accounts. Now he thinks he has the clever Graham—current alias Jasper Ford—in his sights, and he’s willing to put his career at risk to catch him. The women Ford targets are wealthy, and his new prey is no exception—except that, uncharacteristically, he has married her. Talia Ford proves to be a complication for Drex, who instantly falls in lust with her even though he’s not at all sure she isn’t her husband's accomplice. Posing as a would-be novelist, Drex moves into an apartment next door to the Fords’ posh home and tries to ingratiate himself, but tensions rise immediately—Jasper is suspicious, and Talia has mixed feelings about Drex's flirtatious behavior. When Talia’s fun-loving friend Elaine Conner turns up dead after a cruise on her yacht and Jasper disappears, Drex and Talia become allies. There are a few action sequences and fewer sex scenes, but the novel’s pace bogs down repeatedly in long, mundane conversations. Drex's two FBI agent sidekicks are more interesting characters than he is; Drex himself is such a caricature of a macho man, so heedless of ethics, and so aggressive toward women that it’s tough to see him as a good guy. Brown adds a couple of implausible twists at the very end that make him seem almost as untrustworthy as Graham.

This thriller about the pursuit of a serial killer suffers from an unpleasant hero and a glacial pace.

Pub Date: Aug. 6, 2019

ISBN: 978-1-4555-7219-9

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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A thoughtful and pensive tale with intelligent characters and a satisfying romance.

THE LAST LETTER

A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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