Allen fans will delight in spending time with him by proxy, and anyone interested in modern film should find much of...
A Woody Allen confidant follows the legendary filmmaker step by step through the making of a movie.
Whether you love him or hate him, there’s no denying that Allen is one of this century’s most prolific and influential filmmakers. Since 1969, he has written and directed 48 films (and acted in 27 of them), which is a mind-boggling average of one per year. For much of that time, Lax (Faith, Interrupted, 2010, etc.) has been a part of Allen’s small inner circle; he is the author of three books on Allen, including a bestselling 1991 biography. Here, the director allowed the author to follow along through every step of one film: the 2015 drama Irrational Man, starring Joaquin Phoenix and Emma Stone. The intimate access makes the book: Lax was in Allen’s bedroom with him as he wrote the script in longhand, lying fully clothed on top of his bed—though, Allen emphasizes, scripts are often percolating in various states of completion for many years. The author walks readers through the peculiarities of how Allen movies are financed—unwilling to be held hostage to the needs of studios, Allen often pays extra costs out of his own pocket—and cast: “It seems like it’s almost on every actor’s bucket list to be in [a] Woody Allen film,” says his longtime casting director, Juliet Taylor. Lax was there for the location scouting, the shooting itself, the editing process, and the scoring, “a rich dessert for Allen,” who is passionate about jazz, classical, and the American songbook. The book is a highly personal portrait of Allen—we see his insecurities, his vulnerabilities, and his dogged pursuit of a good story, be it for comedy or for deep examination of human morality—and the narrative is ripe with anecdotes and quotes. But the real achievement is seeing in detail the arc of any creative process.
Allen fans will delight in spending time with him by proxy, and anyone interested in modern film should find much of interest in this well-reported study.Pub Date: Oct. 3, 2017
ISBN: 978-0-385-35249-9
Page Count: 352
Publisher: Knopf
Review Posted Online: Aug. 21, 2017
Kirkus Reviews Issue: Sept. 1, 2017
When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.
Pub Date: June 1, 1993
ISBN: 0-679-42366-4
Page Count: 176
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
BOOK REVIEW
BOOK REVIEW
A boon for admirers of Oz’s work and contemporary Israeli literature in general.
A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.
“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.
A boon for admirers of Oz’s work and contemporary Israeli literature in general.Pub Date: Nov. 15, 2004
ISBN: 0-15-100878-7
Page Count: 544
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
