An eloquent, thought-provoking and timely memoir.
A noted journalist and educator’s reflections on his Chinese heritage and on “the chance America still has to be something greater than the sum of its many tinted parts.”
As a young man, Atlantic correspondent Liu (Guiding Lights: The People Who Lead Us Toward Our Purpose in Life, 2004, etc.) believed that his choices determined who he was. Life experience later led him to conclude that he was “less the calligrapher than the parchment, absorbing the ink and scripts of others,” including—and especially—his Chinese-born parents. In this vigorous, sharp book, the author examines his identity against the backdrop of both Chinese and American cultures. Steeped as he was in Western democratic values, Liu realized that his parents had also imbued him with a strong sense of the “rite, propriety, social context and obligation” that defined Chinese society. Even his home exposure to Chinese language, with its “implied meanings [and] freighted terseness,” had influenced his writing and his way of thinking/being. While Liu’s love for America was beyond question, he also recognized that it was shaped more by a Chinese-inflected desire to belong to a whole rather than by some abstract idea of America. His appearance made him subject to cultural classification that subsumed the specificity of his Chinese heritage into a homogenizing Asian one. Such categorization transformed him into the unseen “model minority,” a stereotype that emerged in part as a cultural response to such Sinophobic historical developments as the Chinese Exclusion Act of 1882. For Liu, Chinese-American identity remains problematic. Yet in a world where the U.S. now competes with an aggressively modernizing China, America still retains the cultural edge. The key is not for the U.S. to become more like China, which Liu sees as unable to synthesize cultural differences. Rather, it is to become even more open to combining “new genes and memes” and in so doing, demonstrate its global indispensability.
An eloquent, thought-provoking and timely memoir.Pub Date: July 8, 2014
ISBN: 978-1-61039-194-8
Page Count: 240
Publisher: PublicAffairs
Review Posted Online: May 20, 2014
Kirkus Reviews Issue: June 1, 2014
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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