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FAST PARADISE

A fascinating novel that provocatively animates the tendrils that connect past and present.

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Young archaeologists hunt for evidence of an ancient people on an Arctic island and attempt to reconstruct the life of a teenage girl.

In 1963, the charismatic Professor De Long, a “campus icon” at Pelham College, leads an archeological expedition to Ellesmere Island deep in the high Arctic, “80 degrees north latitude and then some.” De Long hypothesizes that the Tunit people, who inhabited the land one thousand years ago, were influenced by their Norse visitors and, in turn, influenced them. As a result, the Tunit “might have contributed to something like the glory that was Greece and grandeur that was Rome.” The professor’s star pupil, Arthur, accompanied by his girlfriend, Gabby, discover an animal skin with markings that might have belonged to a Tunit girl named Qaya—her name inscribed on the skin—who was possibly embarking on a hunting trek, an important ritualistic passage into adulthood. However, it’s not clear that a female would have been allowed on such a trek, and De Long sternly warns the crew against interpreting the past through the romantic lens of the present, an imposition of one’s values rather than the discovery of another’s. Nevertheless, Gabby becomes obsessed with following the scant evidence to find Qaya’s body, a search more personal than scientific, a peculiar quest movingly portrayed by Mayer. The author also portrays a parallel tale—Qaya’s own longing to set out on a hunt of her own, as well as her hesitation to enter into a marriage with Inuk, to whom she has been promised as a bride since childhood.

Despite the extraordinary distance between the lives of Qaya and Gabby—lives one might consider heterogeneous—Mayer (counter to De Long’s teachings) deftly pushes the reader to consider their subtle affinities and overlapping longings. The author’s command of the geography of the Arctic, and the Indigenous peoples who inhabited it, is masterly. One can hardly believe, as he notes, that he has never set foot there, this terrifyingly forbidding land overlaid by a “permafrost you can’t get through without a nuclear bomb.” Qaya’s story unfolds with a stirring plausibility—her life remote and relatable in equal parts. In this way, with remarkable subtlety, one can see the singularity and universality of her life. De Long memorably counsels against interpreting the ancient past through the familiar lens of the present: “If you went back in a time machine to save them no one would come aboard. They couldn’t imagine ‘save’ from what….They don’t want to be found, Gabby. That would only mean trouble. They wouldn’t even talk to you.” However, his intractable view excludes even a sliver of common human ground, any possible sense of human solidarity, a prohibitive possibility Gabby rejects. The story does tend to digress; the plot meanders and sometimes moves without any sense of narrative urgency. At some parts, too, Gabby’s passion threatens to turn not only frivolously quixotic, but sentimental. Fortunately, she stays on track, and overall, this is a mesmerizing novel, dramatically engaging as it is philosophically thoughtful.

A fascinating novel that provocatively animates the tendrils that connect past and present.

Pub Date: June 16, 2024

ISBN: 9781578338672

Page Count: 374

Publisher: Todd Communications

Review Posted Online: June 19, 2024

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NASH FALLS

Hokey plot, good fun.

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  • New York Times Bestseller

A business executive becomes an unjustly wanted man.

Walter Nash attends his estranged father Tiberius’ funeral, where Ty’s Army buddy, Shock, rips into him for not being the kind of man the Vietnam vet Ty was. Instead, Nash is the successful head of acquisitions for Sybaritic Investments, where he earns a handsome paycheck that supports his wife, Judith, and his teenage daughter, Maggie. An FBI agent approaches Nash after the funeral and asks him to be a mole in his company, because the feds consider chief executive Rhett Temple “a criminal consorting with some very dangerous people.” It’s “a chance to be a hero,” the agent says, while admitting that Nash’s personal and financial risks are immense. Indeed, readers soon find Temple and a cohort standing over a fresh corpse and wondering what to do with it. Temple is not an especially talented executive, and he frets that his hated father, the chairman of the board, will eventually replace him with Nash. (Father-son relationships are not glorified in this tale.) Temple is cartoonishly rotten. He answers to a mysterious woman in Asia, whom he rightly fears. He kills. He beds various women including Judith, whom he tries to turn against Nash. The story’s dramatic turn follows Maggie’s kidnapping, where Nash is wrongly accused. Believing Nash’s innocence, Shock helps him change completely with intense exercise, bulking up and tattooing his body, and learning how to fight and kill. Eventually he looks nothing like the dweeb who’d once taken up tennis instead of football, much to Ty’s undying disgust. Finding the victim and the kidnappers becomes his sole mission. As a child watching his father hunt, Nash could never have killed a living thing. But with his old life over—now he will kill, and he will take any risks necessary. His transformation is implausible, though at least he’s not green like the Incredible Hulk. Loose ends abound by the end as he ignores a plea to “not get on that damn plane,” so a sequel is a necessity.

Hokey plot, good fun.

Pub Date: Nov. 11, 2025

ISBN: 9781538757987

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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