by Eric Mayer ‧ RELEASE DATE: June 16, 2024
A fascinating novel that provocatively animates the tendrils that connect past and present.
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Young archaeologists hunt for evidence of an ancient people on an Arctic island and attempt to reconstruct the life of a teenage girl.
In 1963, the charismatic Professor De Long, a “campus icon” at Pelham College, leads an archeological expedition to Ellesmere Island deep in the high Arctic, “80 degrees north latitude and then some.” De Long hypothesizes that the Tunit people, who inhabited the land one thousand years ago, were influenced by their Norse visitors and, in turn, influenced them. As a result, the Tunit “might have contributed to something like the glory that was Greece and grandeur that was Rome.” The professor’s star pupil, Arthur, accompanied by his girlfriend, Gabby, discover an animal skin with markings that might have belonged to a Tunit girl named Qaya—her name inscribed on the skin—who was possibly embarking on a hunting trek, an important ritualistic passage into adulthood. However, it’s not clear that a female would have been allowed on such a trek, and De Long sternly warns the crew against interpreting the past through the romantic lens of the present, an imposition of one’s values rather than the discovery of another’s. Nevertheless, Gabby becomes obsessed with following the scant evidence to find Qaya’s body, a search more personal than scientific, a peculiar quest movingly portrayed by Mayer. The author also portrays a parallel tale—Qaya’s own longing to set out on a hunt of her own, as well as her hesitation to enter into a marriage with Inuk, to whom she has been promised as a bride since childhood.
Despite the extraordinary distance between the lives of Qaya and Gabby—lives one might consider heterogeneous—Mayer (counter to De Long’s teachings) deftly pushes the reader to consider their subtle affinities and overlapping longings. The author’s command of the geography of the Arctic, and the Indigenous peoples who inhabited it, is masterly. One can hardly believe, as he notes, that he has never set foot there, this terrifyingly forbidding land overlaid by a “permafrost you can’t get through without a nuclear bomb.” Qaya’s story unfolds with a stirring plausibility—her life remote and relatable in equal parts. In this way, with remarkable subtlety, one can see the singularity and universality of her life. De Long memorably counsels against interpreting the ancient past through the familiar lens of the present: “If you went back in a time machine to save them no one would come aboard. They couldn’t imagine ‘save’ from what….They don’t want to be found, Gabby. That would only mean trouble. They wouldn’t even talk to you.” However, his intractable view excludes even a sliver of common human ground, any possible sense of human solidarity, a prohibitive possibility Gabby rejects. The story does tend to digress; the plot meanders and sometimes moves without any sense of narrative urgency. At some parts, too, Gabby’s passion threatens to turn not only frivolously quixotic, but sentimental. Fortunately, she stays on track, and overall, this is a mesmerizing novel, dramatically engaging as it is philosophically thoughtful.
A fascinating novel that provocatively animates the tendrils that connect past and present.Pub Date: June 16, 2024
ISBN: 9781578338672
Page Count: 374
Publisher: Todd Communications
Review Posted Online: June 19, 2024
Review Program: Kirkus Indie
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by Mary Reed & Eric Mayer
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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BOOK TO SCREEN
by Colleen Hoover ‧ RELEASE DATE: Jan. 13, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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