by Eric Mayer ‧ RELEASE DATE: June 16, 2024
A fascinating novel that provocatively animates the tendrils that connect past and present.
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Young archaeologists hunt for evidence of an ancient people on an Arctic island and attempt to reconstruct the life of a teenage girl.
In 1963, the charismatic Professor De Long, a “campus icon” at Pelham College, leads an archeological expedition to Ellesmere Island deep in the high Arctic, “80 degrees north latitude and then some.” De Long hypothesizes that the Tunit people, who inhabited the land one thousand years ago, were influenced by their Norse visitors and, in turn, influenced them. As a result, the Tunit “might have contributed to something like the glory that was Greece and grandeur that was Rome.” The professor’s star pupil, Arthur, accompanied by his girlfriend, Gabby, discover an animal skin with markings that might have belonged to a Tunit girl named Qaya—her name inscribed on the skin—who was possibly embarking on a hunting trek, an important ritualistic passage into adulthood. However, it’s not clear that a female would have been allowed on such a trek, and De Long sternly warns the crew against interpreting the past through the romantic lens of the present, an imposition of one’s values rather than the discovery of another’s. Nevertheless, Gabby becomes obsessed with following the scant evidence to find Qaya’s body, a search more personal than scientific, a peculiar quest movingly portrayed by Mayer. The author also portrays a parallel tale—Qaya’s own longing to set out on a hunt of her own, as well as her hesitation to enter into a marriage with Inuk, to whom she has been promised as a bride since childhood.
Despite the extraordinary distance between the lives of Qaya and Gabby—lives one might consider heterogeneous—Mayer (counter to De Long’s teachings) deftly pushes the reader to consider their subtle affinities and overlapping longings. The author’s command of the geography of the Arctic, and the Indigenous peoples who inhabited it, is masterly. One can hardly believe, as he notes, that he has never set foot there, this terrifyingly forbidding land overlaid by a “permafrost you can’t get through without a nuclear bomb.” Qaya’s story unfolds with a stirring plausibility—her life remote and relatable in equal parts. In this way, with remarkable subtlety, one can see the singularity and universality of her life. De Long memorably counsels against interpreting the ancient past through the familiar lens of the present: “If you went back in a time machine to save them no one would come aboard. They couldn’t imagine ‘save’ from what….They don’t want to be found, Gabby. That would only mean trouble. They wouldn’t even talk to you.” However, his intractable view excludes even a sliver of common human ground, any possible sense of human solidarity, a prohibitive possibility Gabby rejects. The story does tend to digress; the plot meanders and sometimes moves without any sense of narrative urgency. At some parts, too, Gabby’s passion threatens to turn not only frivolously quixotic, but sentimental. Fortunately, she stays on track, and overall, this is a mesmerizing novel, dramatically engaging as it is philosophically thoughtful.
A fascinating novel that provocatively animates the tendrils that connect past and present.Pub Date: June 16, 2024
ISBN: 9781578338672
Page Count: 374
Publisher: Todd Communications
Review Posted Online: June 19, 2024
Review Program: Kirkus Indie
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by Mary Reed & Eric Mayer
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Fredrik Backman translated by Neil Smith
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