by Eric Metaxas ‧ RELEASE DATE: Feb. 2, 2021
An exhaustive cliffhanger for devoted Metaxas fans.
The acclaimed biographer turns to memoir.
Metaxas, whose works include bestselling books about Martin Luther, William Wilberforce, and Dietrich Bonhoeffer, narrates the story of his own life up to 1988, when he was 25. That year, when his true conversion to Christianity occurred, serves as a significant demarcation point in his journey. In a narrative reminiscent of Saint Augustine’s Confessions, Metaxas delivers a warts-and-all exploration of his youth—including discussions of elements of his early life on which he looks back with regret—in order to explain how his faith altered his trajectory. Like Augustine, Metaxas recounts his mostly secular intellectual development, which created a foundation for his later spiritual conversion and nourishment. Whereas Augustine stole pears from a tree because his friends were doing it, Metaxas ostracized another boy in his class because of a desire to fit in. “I think I would do almost anything to go back there now to try to undo what I did,” he writes, “to befriend him or show him some love or kindness.” While Augustine recounted how he lived with a concubine and had a child with her, Metaxas relates the story of a girlfriend’s abortion. Throughout, the author records his experiences in excruciating detail, creating a book that will be illuminating to his family, friends, and readers of his previous books but that will struggle to find a general reading audience. The most interesting sections involve the author’s Greek heritage, tales of a childhood spent in a Greek Orthodox church, and his on-and-off flirtations with faith. Some will be disappointed that the book ends at the most intriguing point—the author’s rather sudden conversion story, which would dramatically change the direction of his life and the purpose behind his work—but perhaps another volume is in the works.
An exhaustive cliffhanger for devoted Metaxas fans.Pub Date: Feb. 2, 2021
ISBN: 978-1-68451-172-3
Page Count: 400
Publisher: Salem Books
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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