Sprawling and elegant—a novel that feels both old-fashioned and bracingly inventive.
A moving, psychologically acute, formally surprising family saga.
Puchner’s latest unfolds at first like a familiar (though stylish) literary romance. It’s summer 2004. Cece, about to marry a promising young doctor named Charlie, has arrived early at her fiance’s family lake house in Salish, Montana, where she makes final wedding preparations alongside their unlikely officiant, Garrett—a Middlebury friend of Charlie’s who, after a tragic death for which he felt responsible, dropped out of college and returned home to Montana to heft baggage at the airport and tend to both his psychic wounds and his dying father. Garrett is an atheist who doesn’t believe in marriage, an environmentalist who works for a polluter, a risk taker, and an incorrigible smartass; he and Cece clash immediately. The reader knows just where this is headed…but the inevitable romantic chaos (which takes place amid a norovirus outbreak that picks off the wedding party one by one) turns out to be not a destination but the starting point for an unusual and captivating family saga that will span 50 years, about half of them in a grim but realistic future of wildfire smoke and vanishing species. Cece and Garrett cross paths with Charlie (and his several wives) at first rarely and awkwardly, but later more regularly and affectionately. The next generation replicates and complicates the dynamic: Cece and Garrett’s daughter, Lana, and Charlie’s son, Jasper, are close friends, and after an adolescent entanglement that founders quickly and ends poorly, Lana—like her father—feels deeply guilty about what she’s done to Jasper, whose life takes a dark turn.
Sprawling and elegant—a novel that feels both old-fashioned and bracingly inventive.Pub Date: Feb. 18, 2025
ISBN: 9780385550666
Page Count: 448
Publisher: Doubleday
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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