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REAP

An innocent and mild-mannered boy grows up fast and ugly as his choice of friends sucks him into another family’s self-destructive tailspin: a relentlessly hardscrabble debut. In the northern reaches of rural Vermont, where dirt roads are fast tracks for renegades and every house and trailer hides a tragedy, 16-year-old Jessup is simply trying to come to terms with a first awkward romance. After going the whole season without kissing the girl who was a summer visitor, he’s now left with fishing and daydreaming to occupy his time. All that changes, however, on the day when Reg nearly runs him over as Jessup is trying to hitch a ride after his bike breaks down. Reg is older, a hard-driving, hard-drinking, hard-nosed ex-con with a big marijuana harvest to haul out of the mountains and a grudge against a local pair of brothers who are also in the cultivation business and whom he blames for sending him to prison. He gives Jessup a ride to remember, first introducing him to his family: wheelchair-bound Hal, a weight-guessing barker at county fairs; and Marigold, whose married life hasn't been the same since her logger husband lopped off a piece of his equipment with the chainsaw. Hal and Reg get Jessup so stoned, drunk, and dizzy that he’s sick. Then Marigold comes on to him, and when the night is over the boy hardly knows who he is anymore. Worse, the dark side to Reg is swiftly triggered when, in his cabin, he finds a cousin all shot up amid the pot plants. He hatches a malevolent plan, with Jessup’s unwitting aid, that’s somewhere between suicidal and just crazy. When the smoke clears, Jessup is battered, traumatized by all he’s seen, and utterly alone. Absent fathers are the supposed reason for this whole misadventure. Maybe, but the characters move at the speed of light toward rack and ruin, and the psychology can't keep up.

Pub Date: Feb. 1, 2000

ISBN: 0-670-88517-7

Page Count: 272

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2000

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TRUE COLORS

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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THE SHINING

A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).

The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....

Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.

Pub Date: Jan. 28, 1976

ISBN: 0385121679

Page Count: 453

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Jan. 1, 1976

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