A joyous literary romp with hidden depth.

THE COMMUNE

This sharp, shapely roman à clef visits a group of feminists, writers, and intellectual hangers-on living as summer housemates on Long Island's East End while they plan what will become the historic Women's Strike for Equality of Aug. 26, 1970.

Abeel affectionately ribs the political maneuverings of the feminists and the self-serving machinations of the writers while more harshly critiquing the proto-Trumpian businessmen, but her novel is at heart a romantic satire marked by apt literary quotations, Dickensian character names, and multiple references to Jane Austen. Running the group house is Gilda Gladstone, the reigning force of the women’s movement (who resembles Betty Friedan). Gilda is middle-aged and homely but charismatic and sexually driven, politically committed to women’s rights but wary of radical feminists, especially lesbians. She’s also deeply jealous of Monica Fairley (a stand-in for Gloria Steinem), who never appears but haunts the novel as Gilda’s glamorous competitor for feminist leadership. Around Gilda swirl her followers, including Leora, a recently divorced mother and struggling writer who's looking for a husband, preferably rich. Leora takes trenchant, metafictional notes for a future novel while deciding between a crude but rich former boyfriend, “the Polish Gatsby,” and a talented but poor journalist who works at Clive Monomark's Gotham (aka New York magazine under Clay Felker). Most of the other characters are composites. The guessing game becomes addictive: Is beautiful photographer Edwina Scahill, who's bisexual and yearning for children, Sally Mann or Annie Leibowitz? Radical highbrow JoBeth Mankiller isn’t quite Susan Sontag. “Well connected dilettante” author Peter Grosvenor must be George Plimpton; rich, organ-playing Sebastian Nye, who co-publishes The National Bugle with William Buckley, sounds like harpsichordist Buckley himself. More important, almost all of Abeel’s characters show complexity—foolish yet brilliant, silly yet sad, insecure yet capable. As they fall in and out of affairs, commit minor treacheries, admit insecurities, and discover love, the reader starts caring deeply.

A joyous literary romp with hidden depth.

Pub Date: July 4, 2021

ISBN: 978-1-954351-79-0

Page Count: 328

Publisher: Adelaide Books

Review Posted Online: May 11, 2021

Kirkus Reviews Issue: May 15, 2021

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A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.

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HAPPY PLACE

Exes pretend they’re still together for the sake of their friends on their annual summer vacation.

Wyn Connor and Harriet Kilpatrick were the perfect couple—until Wyn dumped Harriet for reasons she still doesn’t fully understand. They’ve been part of the same boisterous friend group since college, and they know that their breakup will devastate the others and make things more than a little awkward. So they keep it a secret from their friends and families—in fact, Harriet barely even admits it to herself, focusing instead on her grueling hours as a surgical resident. She’s ready for a vacation at her happy place—the Maine cottage she and her friends visit every summer. But (surprise!) Wyn is there too, and he and Harriet have to share a (very romantic) room and a bed. Telling the truth about their breakup is out of the question, because the cottage is up for sale, and this is the group’s last hurrah. Determined to make sure everyone has the perfect last trip, Harriet and Wyn resolve to fake their relationship for the week. The problem with this plan, of course, is that Harriet still has major feelings for Wyn—feelings that only get stronger as they pretend to be blissfully in love. As always, Henry’s dialogue is sparkling and the banter between characters is snappy and hilarious. Wyn and Harriet’s relationship, shown both in the past and the present, feels achingly real. Their breakup, as well as their complicated relationships with their own families, adds a twinge of melancholy, as do the relatable growing pains of a group of friends whose lives are taking them in different directions.

A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.

Pub Date: April 25, 2023

ISBN: 9780593441275

Page Count: 400

Publisher: Berkley

Review Posted Online: Feb. 23, 2023

Kirkus Reviews Issue: March 15, 2023

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Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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IT STARTS WITH US

The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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