Benner succeeds at what every biographer tries to do: she brings her subject to life for her readers.
A new look at an old book—and the philosopher/diplomat who wrote it.
Everyone in school learned Machiavelli’s (1469-1527) famous advice, set forth in The Prince, to those in power: the ends justify the means. Benner follows up on her previous Machiavelli’s Prince: A New Reading (2014), which argued for an entirely new way of interpreting the book, with this timely, dramatic, and comprehensive life of the Florentine, drawing on his poems, plays, letters, diplomatic dispatches, and his many friendships. This is a very personal biography. Benner invites us right into Machiavelli’s world, his thoughts, feelings, and beliefs, quoting him extensively on a wide variety of topics. The author begins with a helpful, four-page dramatis personae, and she tells Machiavelli’s story in lively, almost novelistic prose. A person says something “coldly,” while another speaks “quietly.” Some readers may be put off by this methodology—too much creative writing and less historical scholarship—but Benner knows her subject well, and she wants us to know him well, too. The well-educated Machiavelli worked in the government, then as a diplomat, and later as the leader of the Florentine militia. Life at this time in Florence was strewn with political and religious land mines. A wrong step on the toes of a certain prince, Medici family member, or cleric could get you thrown into prison, as Machiavelli was in 1513, for conspiracy against the Medici. He denied it and was tortured for nearly two weeks by having both shoulders dislocated. After he was freed, he wrote his famous treatise, published after his death. Benner posits a reading that has been put forth before but never in such detail: that Machiavelli’s “true intention in The Prince was to expose the perversities of princely rule.” In support of that argument, she provides an eye-opening, captivating portrait.
Benner succeeds at what every biographer tries to do: she brings her subject to life for her readers.Pub Date: May 9, 2017
ISBN: 978-0-393-60972-1
Page Count: 384
Publisher: Norton
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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