A fresh, original series starter bolstered by a dynamic protagonist and a welcome sense of depth.

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ISLAND OF EXILES

From the The Ryogan Chronicles series

Cameron (Assassins: Nemesis, 2017, etc.) tells a YA fantasy tale about a “nyshin”—a warrior, mage, and hunter—on a desert island rife with danger.

Khya is no stranger to hardship. Life on the island of Shiara is inhospitable at best, and as a nyshin, burdens fall especially heavily on her. Nevertheless, she’s always been able to depend on her clan and the fact that everyone in it works for the good of the many. But everything changes when they threaten to take from her the one thing she can’t give up: her brother, Yorri. Her worries are understandable as her sibling approaches a rite of passage that will determine the course of his life, but the greatest dangers facing her are ones that she can’t even imagine. As storms rage across the island and enemies probe the clan’s borders, a conspiracy begins to unfold that will test everything Khya has ever known. Not knowing whom to trust, she must rely on strange bedfellows: Sanii, a member of the servant class and the love of Yorri’s life; and Tessen, Khya’s sometime-friend, sometime-archrival, and possibly something more. But most of all, she must depend on herself, casting aside faith, duty, and honor for the strength of love and family. Readers won’t be able to put this book down, as the excitement begins from the first page and only grows from there. Cameron expertly blends worldbuilding and intriguing characters with page-turning action scenes and a story that builds in tension and complexity. The novel’s commitment to diversity adds new dimensions to the story, as the cast is entirely nonwhite, and the clan recognizes nonbinary gender identities and complex sexual orientations. The lexicon of unique terms and concepts may be intimidating to some readers, but the vocabulary adds fantastic texture to the world without distracting from the plot. This rare gem of a book has a lot to offer readers, including magic, action, and intrigue on the edge of a knife.

A fresh, original series starter bolstered by a dynamic protagonist and a welcome sense of depth.

Pub Date: Feb. 14, 2017

ISBN: 978-1-63375-592-5

Page Count: 400

Publisher: Entangled Teen

Review Posted Online: Jan. 20, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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Garrett’s failure to produce any sympathetic characters makes her debut tough going.

THE LAST TO DIE

Burglaries turn deadly for a group of spoiled teenagers.

Harper, Alex, Sarah, Paisley, Benji, and Gin come from similarly privileged homes. Their parents make up for a lack of commitment to their high school offspring by providing unfettered access to life’s material benefits: cars, clothes, and costly vacations. When getting drunk on booze filched from their folks’ well-stocked liquor cabinets palls, they invent an exciting new game. Each time one of the teens’ families goes skiing in Vail or snorkeling in the Bahamas, a designated member of the pack breaks into the unattended house and collects an assortment of trophies to be pawned for ready cash. The rules of the looting are strict. Only one member breaks into each house, nothing is to be stolen that can’t be replaced with insurance money, and nothing stolen from other members of the group. Harper adds one more rule: no stealing from her deaf sister, Maggie. After one full round of felonious fun, the wheels start to come off the crime spree. Sarah dies from a drug overdose. The police can’t decide if it’s an accident or suicide, but Harper is sure it’s neither. She thinks Sarah is too smart to overdose on her own and too conceited to kill herself. And since no one outside her little group exists for Harper, one of her fellow thieves must have killed her. Going to the authorities is a no-go because it would reveal the group’s role in the burglaries and spoil their chances of admission to an Ivy League college. So Harper and her chums sit around and wait to see if anything else bad happens. It does. Unfortunately, even Harper’s protectiveness toward her sister carries its own whiff of smugness.

Garrett’s failure to produce any sympathetic characters makes her debut tough going.

Pub Date: April 4, 2017

ISBN: 978-1-929345-30-4

Page Count: 206

Publisher: Poisoned Pen

Review Posted Online: Feb. 2, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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Bulky, balky, talky.

THE DA VINCI CODE

In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.

But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.

Bulky, balky, talky.

Pub Date: March 18, 2003

ISBN: 0-385-50420-9

Page Count: 400

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 2003

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