Jong (Any Woman's Blues, 1989, etc.) recalls her friendship with Henry Miller (1891-1980), and writes a critical biography of him and an annotated bibliography of his works. Also included are letters between Miller and Jong and companion pieces they wrote for The New York Times's Op-Ed page, praising each other's spirit. Spirit is the keynote here, with Miller's life force billowing up in quotations from his works and flattening Jong's commentary. Jong is at pains to avoid academicism: ``Since I long ago gave up the Ph.D. program for the life of a professional author, I approach Miller with a writer's rather than a scholar's point of view.'' Too often, though, it's the hand of the academy that speaks: ``Henry was so enthralled by women that he sought to demystify their mysterious parts through the violent verbal magic of his books. The violence is rooted in a sense of self-abnegation and humiliation before them. He is, as the Freudians would say, counterphobic.'' Jong makes many good points, though, showing that, midway through his life, Miller had already written everything of his that would last. Surveying university courses, she finds Miller missing, although she ranks him as America's greatest force of nature since Whitman. And Miller is remembered, Jong thinks, for all the wrong reasons, while his best work (the ``luminous'' and ``transcendental'' The Colossus of Maroussi and certain essays) goes begging for readers. Jong's defense of Miller against charges of anti-Semitism comes off better than her cotton balls against feminists, whom she praises while attacking them, using dated rhetoric (``Millett makes a brilliant case for Henry Miller's autobiographical protagonist as a textbook study of patriarchal attitudes, but she fails to go farther, to explore the source of those attitudes, namely the male terror and envy of female power''). Backfire brains markswoman, but not fatally.
Pub Date: Feb. 22, 1993
ISBN: 0-394-58498-8
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1993
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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