This pleasant tale will be as useful on a community-helper shelf as in the holiday collection.
Hanukkah is celebrated with some differences and an addition.
With boxes strewn about from their recent move to a new apartment house and the one labeled for Hanukkah missing, a family adjusts their holiday routines. When Mom can’t find the menorah and candles, siblings Rachel and Max make a menorah, and a new neighbor supplies candles. When Dad can’t find his “lucky latke pan,” the super shares his French fries. When the children can’t find their dreidel, the twins upstairs share a hula hoop. A package of chocolate chips replaces the gelt, and newspaper becomes wrapping paper for gifts. No jelly doughnuts? Have a peanut-butter–and-jelly sandwich offered by still another neighbor. Happy with the make-do results, the children determine to have a thank-you party for their new friends and dedicate it to the ninth candle on the menorah, the shamash, or helper candle. The arrival of their own Hanukkah box is a plus. The family presents as White while the neighbors are a multiracial assemblage. Children will enjoy watching the family’s cat reacting to the various goings-on and seeing the furnishings gradually replacing boxes over the course of the story. Instructions for a DIY “Shamash Night” close the book. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 69.8% of actual size.)
This pleasant tale will be as useful on a community-helper shelf as in the holiday collection. (author’s note) (Picture book. 4-7)Pub Date: Sept. 15, 2020
ISBN: 978-1-4549-4088-3
Page Count: 40
Publisher: Sterling
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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