Silverman adapts a story from Sholom Aleichem featuring Kapores, the old Eastern European Jewish ceremonial custom of twirling a chicken in order to erase one’s bad deeds on the last day of Rosh Hashanah. In a poor village, a young boy overhears the chickens plan a strike in rebellion to the Kapores custom, while they chant “No more Kapores!” and walk out of the village. The boy, fearing that without chickens, his bad deeds will remain for the New Year, unsuccessfully tries to warn his papa. When the empty chicken coops are discovered, everyone anticipates catastrophic results. The boy leads the villagers to the meadow where the chickens have congregated and there begins a series of fruitless orders and negotiations to bring the fowl back to the village. The chickens keep to their squawking convictions, convince the boy that good behavior is dependent on inner strength, and strut off to parts unknown, thus ending an old custom without dire consequences. Newcomer Trueman’s wonderful mixed-media paintings of ink, pencil, and gouache humorously capture the Eastern European setting and the melodramatic reactions of the villagers. Satirical and absurdly appropriate for this ludicrous and outdated rite. (Folklore. 5-9)
Pub Date: July 1, 2003
ISBN: 0-525-46862-5
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2003
BOOK REVIEW
BOOK REVIEW
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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