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THE MUSEUM OF UNUSUAL OCCURRENCE

A promising series debut that will have cozy lovers and occult fans begging for more.

An elaborately staged murder rocks a town that’s already all too devoted to the bizarre.

Wyndale, Florida, was founded by “true believers”: Christians hoping to reconnect with their dearly departed. Magic has permeated the fabric of the place so deeply that even mixing bowls are sold with the assurance that they’ve been “blessed by certified mediums.” Even practical, skeptical Alcyone Orlean isn’t immune from Wyndale’s preoccupation with the dark arts. After all, she’s run her father’s Museum of Unusual Occurrences ever since his death and her mother’s abrupt departure. And she’s abandoned her studies in anthropology at the University of Florida to care for her teenage sister, Merope. Still, she’s always regarded the museum’s exhibitions, including the current “Rituals and the Undead,” as artifacts rather than gateways to a higher truth. So when she discovers a dead woman surrounded by tableware, with bloody pinpricks on her fingers, lying next to a cabinet once owned by the medium Elwood Babbitt, she can’t decide whether to consult the local police chief or one of the town’s many clairvoyants. In the end, she does both, although it’s her own persistence that unravels the central puzzle. Wright’s writing is vivid but nuanced. She’s kind to all her characters but doesn’t balk at exposing their flaws. Her plot is ingenious, revealing that despite all the occult Wyndale has on offer, nothing is more mysterious than the human heart.

A promising series debut that will have cozy lovers and occult fans begging for more.

Pub Date: April 7, 2026

ISBN: 9781448320233

Page Count: 240

Publisher: Severn House

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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THE ENDING WRITES ITSELF

High-concept and highly entertaining.

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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