First published in Norway in 1990 and a bestseller in Europe, Hansen's second novel (but first US publication) well deserves its acclaim as it charts the lives of several members of the band on board the Titanic, revealing the tragic steps that brought them together on that doomed voyage. The band members themselves are fictional, but their private agonies are real enough, starting with leader Jason Coward, whose boyhood ended prematurely with the death of his physician father and musical mother in India while he was in boarding school, provoking him to a delinquency that eventually leads to his expulsion from medical school and a subsequent life among the dregs of London—a descent ending only when he sees a drunken Russian howling in a dive and takes his side in a brawl, later to join him in violin duos that land the pair steady work on cruise ships. Then there's the secretive Spot, the pianist who plays Chopin with a virtuoso's touch but whose hidden past includes a German bourgeois childhood, years of violin training in Paris with a maestro, a fellow student turned loving wife and mother of their daughter, and a growing reputation, all destroyed by his frustrated ambition to be a composer and by a growing drug addiction. A younger version of these two, making his first voyage and his first money as a musician, is David, a Castorp-like lad from Vienna fleeing the bitter disappointment of his first love, who turned her attention to a famous, older man—a betrayal that David met initially with weakness but finally with strength, confronting the pair in public and proving himself superior to his rival. Past mingles with present as these and other sad tales emerge, while the Titanic steams inexorably toward her destiny. A shimmering, magical evocation of a Europe as yet untouched by world wars, and a deft, convincing combination of personal and public tragedy. First-rate storytelling.
Pub Date: Aug. 1, 1996
ISBN: 0-374-23868-5
Page Count: 388
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1996
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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