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THE LEAD CLOAK

A solid premise supports this entertaining tale.

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The Lattice, an open-source, omnipotent information technology, grants access to every thought and action—and Byron Shaw is sworn to protect it against attacks by fanatics, including the ones who have just abducted him.

In the kickoff to a trilogy, author Hanberg explores the unintended consequences of awe-inspiring information technology. Astronomers in the 21st century, who were looking to remotely measure gravity waves and particles, invented the Lattice, a supercooled array of rhodium atoms, whose sensitivity exceeds its original goal. People plugged into it via headsets, tablet PCs or neural implants can enjoy total immersion in all the experiences and thoughts of the past 5 billion years—the “entire scope of human history, planetary history, astronomical history.” Now, after a generation of use, wars and espionage are obsolete, cars linked to the Lattice drive themselves, and anyone can visit (or inhabit) anyone in history. And, yes, experiencing orgasms with historical celebrities is an addictive vice. But religious sects and dissidents oppose the Lattice, and the two machines—one at the former Area 51 in Nevada and an underground backup in Switzerland—are regularly attacked. Byron Shaw is a top security chief at the well-defended Nevada Lattice; intelligence gleaned from the Lattice saved him during a childhood kidnapping, and he believes he owes the device his life. But when an attempt to destroy the Lattice very nearly succeeds, Shaw finds himself confronting unknown opponents who wield astounding technology and coordinate attacks via cells of sleeper-agent allies, who are seemingly untraceable even by the omnipotent Lattice. Actually, the enemy intends to recruit him. Hanberg’s thought-experiment premise is a nifty one: How can a conspiracy be carried out in a world where secrecy no longer exists? The Lattice is a staggeringly smart example of what sci-fi critics call the “Big Dumb Object,” but Hanberg’s expertly honed storytelling is sleek and fast enough that readers won’t get tripped up in the twists.

A solid premise supports this entertaining tale.

Pub Date: Sept. 14, 2013

ISBN: 978-1492360568

Page Count: 422

Publisher: CreateSpace

Review Posted Online: Nov. 15, 2013

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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THE MARTIAN

Sharp, funny and thrilling, with just the right amount of geekery.

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When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.

One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.  

Sharp, funny and thrilling, with just the right amount of geekery.

Pub Date: Feb. 11, 2014

ISBN: 978-0-8041-3902-1

Page Count: 368

Publisher: Crown

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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