Reece’s insightful, witty, and reflective essays offer up new ways of thinking about spirituality, culture, and the...
Religion, ecology, literature, family, and ideas all commingle in this collection.
The shadow of the prolific writer Guy Davenport (1927-2005) quietly hovers over these sharp, incisive, and opinionated pieces by Reece (Writer in Residence/Univ. of Kentucky; Utopia Drive: A Road Trip Through America’s Most Radical Idea, 2016, etc.), who’s also Davenport’s literary executor. In form, some echo Davenport’s favorite “assemblages” or metafictive gatherings. “Nine Drafts of a Suicide Note” beautifully weaves together reflections on the Tate Gallery’s Rothko Room, with its nine massive canvases of “corpuscular hues of blood and wine,” Nietzsche, James Baldwin, and the suicide of Reece’s father. “Maxims and Errors” offers up bits of wisdom like: “Take the gods out of the sky. Put them back in the forest. Now we are getting somewhere.” Many channel the works of Thoreau, Whitman, and Wendell Berry. The longest piece is about Reece building a wooden boat and canoeing the Kentucky River for a week while daily reading a book he turns to frequently, A Week on the Concord and Merrimack Rivers, a “fascinating,” “maddening” and “unclassifiable text.” “Instead of the Ten Commandments” takes on some calls for them being prominently posted in public spaces. Reece has an alternative: Whitman’s poem “Laws for Creations.” It’s “shorter” and it “never mentions the word not.” One essay about a birding adventure with Berry considers the “possibility that a broken world can be made whole” with imagination. A lovely piece on Davenport honors the “master artificer” whose “writing was a high wire act in every sense.” Reece calls him the “greatest prose stylist of his generation.” Here are the Wright brothers viewed in the light of the French poet Blaise Cendrars or talking lions joining forces with Wittgenstein and Jesus. Despite occasional repetitions, these are delightful and illuminating.
Reece’s insightful, witty, and reflective essays offer up new ways of thinking about spirituality, culture, and the environment.Pub Date: March 14, 2017
ISBN: 978-1-61902-608-7
Page Count: 220
Publisher: Counterpoint
Review Posted Online: Nov. 22, 2016
Kirkus Reviews Issue: Dec. 1, 2016
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...
An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.
Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.Pub Date: March 3, 2015
ISBN: 978-0802123411
Page Count: 288
Publisher: Grove
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
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