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THE MAN WHO WROTE THE BOOK

A decorously risqué update of Lucky Jim with a climax out of The Big Clock.

A sweetly amusing fairy tale about all the nice things that happen to a college teacher who anonymously publishes a dirty book.

Once upon a time, in the California town of Seven Hills, there lived an assistant professor named Ezra Gordon who was such a sad sack that when he and his old college friend Isaac Schwimmer met a pair of ladies at a restaurant, Ike’s pickup invited him to bed, and Ezra’s sold him insurance. But all that changes once Ike, a publisher of adult fiction who couldn’t agree more with Ezra’s perception that he’s on a downward slope, offers him a contract. Even before Ezra’s begun work, pinups start coming onto him—one of them, Ike’s neighbor Tessa Miles, inspiring delirious chapters in his burgeoning opus—and when he returns to the depths of Beuhler College, you’d think he was wearing seven-league boots. His old girlfriend Carol Dimsdale, Beuhler counsel and daughter of the fearsome Baptist college chaplain, apologizes for her chronic coldness; dazzling Tessa follows him from L.A. into his classroom to strike awe into the hearts of his students, attract propositions from Ezra’s colleagues, and evoke an even more forthright reaction from Ezra; and both women offer the still-passive lady-killer their undying loyalty while asking nothing in return. (No word on how his winning attitude affects Ezra’s weight or complexion.) When Every Inch a Lady, by one E.A. Peau, is published, rocketing to the top of Amazon.com’s charts and garnering praise from John Updike, Ike begs for a sequel. Some clouds arise when Peau is traced to Beuhler, but fans of the Brothers Grimm will recognize these travails as only a final testing ground for the plucky, vacuous hero.

A decorously risqué update of Lucky Jim with a climax out of The Big Clock. Tarloff (Face-Time, 1999) by-passes the normal pleasures of fiction to focus entirely on chastely high-concept fantasy.

Pub Date: May 1, 2000

ISBN: 0-609-60468-6

Page Count: 288

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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