Next book

THE INVASION OF THE TEARLING

A satisfying, well-crafted sequel that will leave readers looking forward to what might happen next to “that fantastic...

There’s a tear in the Tearling, and Tears are falling.

Seriously. As Johansen (The Queen of the Tearling, 2014) opens the latest installment in her sword-and-sorcery series, Tear troops stationed on the borders of the kingdom find themselves battling an invasion by the Mort—you know, the bad guys across the line in the Mortmesne. It’s a good thing Col. Hall is on the job, a fellow fate has put in just the right place at the right time: “Fortune had taken Hall away from Idyllwild,” Johansen intones, “not good fortune, but the backhanded sort that gave with one hand while it stabbed with the other.” Many stabbings, catapult launches, and other gruesome maneuvers later, the Mort are repelled. (It helps that, in a Tolkienian move, the hawks, real hawks, are on the side of the doves, metaphorical ones.) But the Mort'll be back, and an ugly picture will get even uglier. Meanwhile, the queen, our ever resourceful Kelsea, is getting prettier. At least after a fashion: “She wasn’t beautiful, Kelsea thought, not by any stretch. But she was no longer plain either. She looked like a woman someone might actually remember.” Whether Meryl Streep or Merlin, Kelsea rises to the occasion, despite all the obstacles that the Morts—and Johansen, for that matter—throw in her path. But is she the True Queen? Ah, that’s for events to decide, nicely unfolded in this long—but not too long—yarn. Johansen is a skillful maker of fantasy worlds, weaving medieval and modern themes together with the comprehensiveness of a George R.R. Martin, though without his penchant for overly long episodes of violence that would make Sam Peckinpah blush. She does both battle scenes and quiet conversations equally well, though, with all the requisite plotting, regal self-doubt, and good-vs.-evil grappling required of the genre.

A satisfying, well-crafted sequel that will leave readers looking forward to what might happen next to “that fantastic vision inside Tear’s jewel” and those who treasure it.

Pub Date: June 9, 2015

ISBN: 978-0-06-229039-7

Page Count: 528

Publisher: Harper/HarperCollins

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

Next book

THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

Next book

A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

Close Quickview