This gritty contemporary novel about an unlikable first-generation Mexican-American teen fails to deliver as a coming-of-age...
After the death of her dutiful older sister, Olga, Julia must deal with grieving parents and the discovery that her sister was keeping secrets.
Fifteen-year-old Julia Reyes is nothing like her sister, “Saint Olga,” who was struck by a semi at age 22 and was always the family’s “perfect Mexican daughter”: contributing at home, attending community college, working at a doctor’s office, and helping their mother clean houses. Julia, on the other hand, hates living in her roach-infested apartment building in their predominantly Latinx Chicago neighborhood, and she doesn’t even try to live up to her Amá and Apá’s expectations that she behave like a proper Mexican young lady. After secretly snooping through Olga’s room, Julia begins to suspect that Olga may have led a double life. In one of many overlong subplots, Julia starts a romance with a rich Evanston white boy, Connor, whom she meets at a used bookstore. Sánchez’s prose is authentic, but it’s difficult to root for Julia, because she’s so contemptuous, judgmental, and unpleasant: “I do dislike most people and most things”—from “nosy” aunts, “idiot” cousins, and tacky quinceañera parties to even her “wild and slutty” best friend, Lorena, at least sometimes. An abrupt plot development involving self-harm and mental illness feels forced, as does a magically life-changing trip to Mexico in the third act.
This gritty contemporary novel about an unlikable first-generation Mexican-American teen fails to deliver as a coming-of-age journey. (Fiction. 14-17)Pub Date: Oct. 17, 2017
ISBN: 978-1-5247-0048-5
Page Count: 352
Publisher: Knopf
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Out of the vampire-hunting-ground frying pan into the freakish-religious-cult fire.
Gene, Sissy and the boys aren't free of the bloodsuckers yet. Their thrilling escape from the hunting compound at the conclusion of The Hunt (2012) brought them to a serendipitous boat; now they rocket down the river as the monstrously strong vampires pursue them by night. Will their quest lead them to the promised Land of Milk and Honey, Fruit and Sunshine? A hidden village of generous, well-fed, happily singing villagers seems to glow with all the hope of their promised paradise. But all is not well in this compound: Gene worries that Sissy is forced to stay apart from both the boys and the village's eerily cheerful and heavily pregnant girls. As further evidence of wrongness, the village's charismatic leader has "smooth, effeminate" skin, and he and his henchmen are "all blubber and liquid fat"—clear indicators of his untrustworthiness and the general air of sexual violence. The standard creepy-cult-compound chapter of many a dystopian series is enhanced by a fast-paced escape sequence, peppered with the grotesqueries that mark Fukuda's vampire mythos. A few mysteries are solved, only to reveal further puzzles, and it all wraps up with a cinematic cliffhanger. A lengthy interlude in creepsterville, with the promise of a return to gory thrills. (Science fiction. 14-16)
Pub Date: Jan. 29, 2013
ISBN: 978-1-250-00511-3
Page Count: 336
Publisher: St. Martin's Griffin
Review Posted Online: Dec. 1, 2012
Kirkus Reviews Issue: Dec. 15, 2012
Plenty of mysteries and betrayals set up the trilogy’s forthcoming conclusion, which fans will eagerly await
Earth’s few remaining normal teenagers struggle to survive in this gruesome, bloody post-apocalyptic sequel.
The world’s gone completely to hell: All nonelderly adults are dead, and most teenagers are Changed into zombielike feral children who eat humans alive. Survivors huddle into protective enclaves and protect themselves with deadly force. The cliffhanger ending of Ashes (2011)—Alex flees from the strangely religious community of Rule only to stumble into the bone-strewn larder of a pack of Changed—takes 100 pages to resolve, mostly due to the shifts in perspective to other un-Changed teenagers driving these action-packed short chapters. Alex is a prisoner of the Changed, and as they drive her through the snowy wilderness, she sees that their behavior is, disturbingly, growing less feral: They use guns, make uniforms and practice profitless cruelties. The remaining adults seem nearly as cruel, practicing Josef Mengele–style experiments and killing children to cover ancient political feuds. Sometimes it seems like the only difference is that the Changed eat their prey, devouring them in sensuously described murder and torture scenes packed with fountaining blood and festooned guts. Nearly every chapter ends with a cliffhanger, keeping the horror appropriately unending: “And then Spider squeezed the trigger.” “The knife hacked down with a whir.” “And then, it moved.”
Plenty of mysteries and betrayals set up the trilogy’s forthcoming conclusion, which fans will eagerly await . (Horror. 14-17)Pub Date: Sept. 11, 2012
ISBN: 978-1-60684-176-1
Page Count: 528
Publisher: Egmont USA
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
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