A puzzler that is both brainy and full of satisfying narrative brawn.
A clairvoyant with a secret past visits a town to assist a missing person investigation and finds herself navigating even more mysteries than she bargained for.
“Every space was haunted by something,” muses Mary, the protagonist of Ryan’s inventive debut. It is Bladen County, North Carolina, in 1961, and Mary, a White New Englander, has arrived clutching a MISSING poster of Polly Starking, a local White girl who has disappeared. Mary is there to work: She has “the Sight,” and her particular psychic ability manifests in visions of missing girls. But her desire to help is only partly based on altruism. Alone, unmarried, and running from her former life, she desperately needs the reward money from cases like Polly’s. The townspeople blow hot and cold about Mary’s presence: They desire her help at the same time they deeply mistrust her. As the sheriff attempts to get Mary to leave, Mary encounters Martha, a Black motel maid who is willing to help Mary navigate her day-to-day needs for food and shelter (as well as the nuances of the Jim Crow South) if Mary will use her abilities to find two other missing girls the town isn’t talking about—two Black girls, Evie and Jack, who are in a romantic relationship. Based on the real-life disappearance of Bennington student Paula Jean Welden in 1946, Ryan’s novel takes up what true-crime aficionados would call the “less dead”: victims of violence or missing people from marginalized communities who fail to garner the same attention as idealized victims—namely, straight young White women. Ryan takes a meta approach here; the novel is as much about the way we mythologize this type of missing and murdered victim as it is a twisty mystery about Mary’s hunt for Polly, Evie, and Jack.
A puzzler that is both brainy and full of satisfying narrative brawn.Pub Date: March 8, 2022
ISBN: 978-0-593-13343-9
Page Count: 272
Publisher: Random House
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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