A workshoppy affair in which not much happens. Sewing buffs, however, may learn a thing or two.
Or, Coco Chanel goes to Kansas, and gets the heck out.
Nell Plat, the center of McGraw’s (Creative Writing/Ohio State Univ.; The Good Life, 2004, etc.) novel, is what Dorothy Gale might have become had she not scooted off in a cyclone: She has all the skills of a rural woman just out of the pioneer era, she knows just a little something about birthing babies, popping out a couple at the tender age of 17, and she’s bright as all get out. But little Nell has seen the great lights a-flickerin’ on the horizon, which gives her ma and pa reason to think she fancies herself a little too good for the prairie; after all, Nell whinnies, “I’m not after staying on the smallest ranch in Kansas. I’d like to see something fresh for a change,” a pretty decent clue as to her intentions. Nell makes good: Shaking off her loser husband, who can’t tell ryegrass seed from wheat, she hies herself off to Hollywood and sets up shop as couturier to the budding film industry, her garments soon to brush the knobby knees of Jazz Age starlets everywhere and bestow still more Itness on the It Girl, Miss Clara Bow. But that Kansas past—well, it just won’t leave our heroine alone, ryegrass and all. Essentially an oater with flappers, McGraw’s novel moves at a pace befitting hand-cranked movie cameras; modern readers may find it a tad too glacial for comfort. Apart from endless exposition, the author invests great energy into getting the idioms of the day right, too; thus the narrative is peppered with phrases such as, “Should the wearer be seized by the urge to do the Charleston, this dress will accommodate her” and “What do the sheiks and shebas back in Topeka think is the bee’s knees?” That attention to period detail would gladden the heart of a reader in the Jazz Age, but it’s just a little too much for one in our dimension.
A workshoppy affair in which not much happens. Sewing buffs, however, may learn a thing or two.Pub Date: Aug. 1, 2008
ISBN: 978-0-618-38628-4
Page Count: 384
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2008
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.
Another surprise from an author who never writes the same novel twice.
Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.Pub Date: April 28, 2009
ISBN: 978-0-385-52765-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
BOOK TO SCREEN
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