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THE FIELDS

A complicated plot overshadows solid character development in this gory debut.

An Iowa police officer investigates a gruesome series of murders in this scathing indictment of big agriculture.

Consider yourself warned: British author Young’s debut crime novel, the first in a planned series, is grisly and dark, and readers who dislike gory scenes should be wary. Set in a version of America’s heartland that rejects salt-of-the-earth stereotypes, the book opens with a desperate, bleeding young woman fleeing an unseen menace through an Iowa cornfield. When her body is found by a local farmer the next morning, newly promoted Riley Fisher, Black Hawk County Police’s first female sergeant, realizes the dead woman is a childhood friend. The discovery brings back painful memories of trauma even as Riley struggles with family issues in the present. As more women disappear and disturbing signs of cannibalism are revealed, Riley begins to think the gruesome murders may not be the work of a single serial killer but part of a larger conspiracy that could reach far beyond the Midwest. An unsettling, foreboding atmosphere permeates the novel, mimicking the depression Riley fights to keep at bay and the region’s collective despair over economic loss at the hands of big agriculture. Young is at her best when she’s writing from Riley’s point of view: Riley’s battles with personal demons and casual sexism in the police department make her a solid foundation for a recurring series. But the complexity of the plot requires too many points of view—even the killer weighs in in overwrought asides—and Young is forced into too much explanation and exposition. She’s determined to shine a light on a real problem—the destruction of family farms to feed corporate greed—but the book’s overly complicated narrative gets in the way of her ability to simply tell a good story.

A complicated plot overshadows solid character development in this gory debut.

Pub Date: Jan. 25, 2022

ISBN: 978-1-250-79939-5

Page Count: 352

Publisher: Flatiron Books

Review Posted Online: Nov. 15, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE FINAL SCORE

Gritty little gems.

A collection of six short stories about crimes both planned and accidental, the collision of dreams and reality, and the things people do for love.

John Highland, for example, faces a lifetime in prison. But if he can do one “Final Score” before turning himself in, at least he can set up his beloved wife for the rest of her days. His plan is impossible to pull off, which is even more reason to do it—a brilliant finale to his criminal career. Another tale takes the reader to Rhode Island, where liquor sales are banned on Sundays. One liquor store maintains a secret “Sunday List” of thirsty patrons and their liquid requirements to get them through the Lord’s Day. Some stories are more serious—a drunk kid kills a young woman in a DUI and is headed to prison. But the kid’s cousin, a cop, worries he may not survive long in the general population. If only the kid could get assigned to the “North Wing,” where a mob boss prisoner protects its inmates. “True Story” is sharp, funny, and one hundred percent dialogue. Guys swap wacky crime stories in a diner. A sample: “Listen—Angela, for all her fine qualities, was no Rose Scholar, either.” But then in “The Lunch Break,” Dave is hired to watch over the spoiled actress Brittany McVeigh and make sure she shows up on set sober and on time. She is only 5-foot-3, but “bad things come in small packages” and she’s a “drunken, drug-addled, promiscuous little diva” who claims she’s being stalked. In the final tale, “Collision,” life is darn near perfect for an upwardly mobile white family of three. Brad McAlister is a highly talented hotel manager. Upper management invites him and his wife to a fancy restaurant and offers him his dream promotion. But in a squeal of tires in the parking lot, their lives change forever. Will the McAlisters’ deep love for each other survive? Each of these stories has clever plotting and sharp dialogue, a hallmark of all the author’s work. Winslow had previously announced his retirement, but maybe that collided with his love of writing.

Gritty little gems.

Pub Date: Jan. 27, 2026

ISBN: 9780063450424

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: July 3, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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