A well-crafted but narratively undercooked story of life in California's Central Valley during the three decades following WW I. Finney, as in his previous fiction with California settings (Flights in the Heavenlies, 1996, etc.), deftly evokes both time and place with appropriately vivid descriptions—e.g., the way raisins are made and strawberries picked—but the story told here by his various and sundry characters is more like a motley collection of sketches than a full rural saga. It begins in 1928, when the wounded sailor Peter Hart arrives in the Valley to manage the town's hotel, and it ends in Italy during WW II as Julian, a young Italian American reared in the Valley, now a war hero and embryonic journalist, changes his mind about going AWOL and decides to return home, sickened by the pointless carnage. In between these tales fits another about three families—the Portuguese Brazils, the Italian Palestinis, and the Japanese Hamadas—and their relations with one another and the locals in changing times. Their story is told by a range of voices, including that of Hortense Brazil, who has admired Julian since they first rode the school bus together; schoolmate Grayson Hamada, whose elder sister Reiko is Hortense's best friend; and Fred, an orphan from ``dust bowl Oklahoma'' who is helped by Peter and soon falls for Reiko. The action takes in hunts in the mountains for bear and deer, organized by Ray, Reiko, and Grayson Hamada's irrepressible grandfather; the sharing of labor at harvest time; the travail of the Depression; and farming setbacks and triumphs. Also dealt with is the outbreak of war. The Hamadas are summarily put in a remote camp in Arizona, and Reiko and Fred's love is destroyed by her rage at her family's internment. Nice vignettes, but little more.
Pub Date: March 1, 1998
ISBN: 0-87417-311-6
Page Count: 240
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 1998
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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