by Ernie Lee ‧ RELEASE DATE: March 14, 2019
An exceptional follow-up with a menacing monster and characters worth rooting for.
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In Lee’s (Him, 2017, etc.) thriller sequel, a group of people who miraculously survived an encounter with a huge, prehistoric crocodile set out to find and stop the creature.
Texas State University student Katie Marshall is suddenly a rich woman; her late father, Clint, left her a sizable inheritance, including assets from a couple of oil companies. She decides to use her wealth to track down the “Aquasaurus”—the media’s moniker for a giant crocodile that she and her friends faced in Lee’s 2016 novel of the same name. Clint’s airplane and boat are now at her disposal, as is pilot and driver Hootie Johnson, his former “right-hand man.” Katie assures her pals Rita Martin, Jesse Perrine, and Jake Haw that she only wants to find the crocodile and then contact authorities to handle it. According to news reports, the Aquasaurus is in Mexican waters, so that’s where Katie and company go. Another survivor from the previous book, earth science professor Tom Morrison, is about to publish a story in Discovery Magazine, but the editors want new pictures of the Aquasaurus to accompany the article. Tom promises them “clear and close-up” photographs and recruits his student assistant, Mark Carter, to accompany him on a trip to Mexico. When the professor learns of the other group’s undertaking, he opts to secretly follow them in lieu of teaming up. This is a potentially dangerous decision, as the area is also populated by pirates and drug runners. And, of course, there’s a massive reptilian creature out there, as well, that has the ability to set traps for its prey. As in the series’ first installment, this novel favors suspense over gory monster attacks. In fact, Lee merely implies much of the violence, and he also keeps the story free of obscenities or explicit sex. Most of the previous novel’s characters return, and the author smartly zeros in on the evolving relationships among them. For example, Jake, who’s been seeing Katie romantically for a few years, is jealous of her easygoing banter with much-older Hootie, while Mark’s periodic obtuseness vexes the professor. Occasional moments from the creature’s perspective generate effective suspense, as readers often know how close the Aquasaurus is to the protagonists—even when they don’t. And the titular croc isn’t the only thing that will put readers on edge; for instance, Hootie is worried about a “device” that Clint left on the boat, and he’s anxious when officers board the vessel and examine the mysterious object. There are also run-ins with another colossal reptile as well as sea lice, which hook tiny spines into human skin. This spotlight-sharing does somewhat diminish the presence of the crocodile, especially as there are so few scenes of its attacks. Lee describes the Aquasaurus realistically, and its most frightening features tend to be those that are shared by regular crocodiles. Nevertheless, it proves to be utterly terrifying in an inevitable clash in the final act.
An exceptional follow-up with a menacing monster and characters worth rooting for.Pub Date: March 14, 2019
ISBN: 978-1-73211-311-4
Page Count: 419
Publisher: Aim-Hi Publishing
Review Posted Online: May 10, 2019
Kirkus Reviews Issue: June 15, 2019
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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