A promising thriller about a famous serial killer in which the suspense prematurely dissipates.
A novel offers a new perspective on one of history’s most notorious figures.
This 19th-century tale starts innocently enough with two Malay boys, lonely rich kid Maurice and Mawken, the poor local boy he befriends. At first, Maurice educates the illiterate Mawken, who in turn gives him advice. But as Maurice grows up, he yearns to strike out on his own and to leave Mawken behind. Before that can happen, the two end up on the run after the mysterious murders of their parents, supposedly by pirates and witnessed only by Mawken. The two find work on a cargo ship, with Maurice as a cook and Mawken as a crew member. Partway through the journey, Maurice witnesses Mawken kill the ship’s brutal captain, but he stupidly picks up the murder weapon and is blamed for the crime by his fellow crewmates. Luckily, a storm severely damages the ship and Maurice is briefly free of his past. Then Mawken shows up again, and death follows him, with the kindly but weak-willed Maurice unable to escape his dangerous friend: “There was no question or indication I had any recourse but to follow his plan. It was as if he made the decisions and I meekly followed.” Maurice is the unfortunate observer of a series of gruesome murders of women, first in Austin, Texas, and later in the slums of London, which leads to the Jack the Ripper mythos. The strength of Lee’s (Aquasaurus, 2016, etc.) intriguing second novel is the well-researched, vivid passages describing life aboard a cargo ship and in 19th-century Austin and London. The narrative moves along swimmingly in those parts. But the author tips his twist ending way too soon. In addition, anyone who gets close to Maurice tends to disappear quickly, sometimes permanently, while Mawken prefers to stay in the shadows (“I am not seen if I don’t want to be seen”). This means there isn’t much of a cast to experience other than the two polar-opposite main characters. The key question that remains is how long will it take Maurice to realize what readers already have.
A promising thriller about a famous serial killer in which the suspense prematurely dissipates.Pub Date: July 31, 2017
ISBN: 978-0-9971284-8-2
Page Count: 354
Publisher: Aim-Hi Publishing
Review Posted Online: March 14, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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