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BY THE RIVERS OF WATER

A NINETEENTH-CENTURY ATLANTIC ODYSSEY

A florid yet thorough and compelling history of missionary work and the 19th-century African-American experience both in...

A sinuously nuanced pursuit of a Southern Christian missionary couple’s conflicted journey from slaveholding Savannah, Ga., to West Africa.

In the thoroughgoing fashion of his Bancroft Prize–winning Dwelling Place (2005), religion historian Clarke devotes enormous care to delineating every aspect of the world known to his protagonists: Jane Bayard, from Savannah, and John Leighton Wilson, from Black River, S.C. The two well-to-do products of white plantation culture had made a marriage of convenience in 1834 in order to fulfill their dream of embracing missionary work in Liberia, as part of the expanding evangelical work sponsored by the American Presbyterian and Congregationalist churches. It was brave and dangerous work, especially since the pernicious miasmas (malaria) had felled most of the other white missionaries who arrived. However, the Wilsons survived, even thrived, setting up missions and schools for the colonists and native peoples. Newly freed—some of Jane’s own slaves from the Gullah community had been offered the choice to make a new life in Liberia—the African-American colonists were often riven by dissension, prompting the Wilsons to move father south to Gabon to start another mission among the Mpongwe. Curiously, with the election of Abraham Lincoln, patriotism resolved the couple to return to the South, believing “that the question of liberty was at the heart of the crisis.” Clarke underscores the irony of their use of the word “liberty” (as in the liberty of the North “to impose its will on the South”): This wise couple, who had fought the international slave law and worked fervently to educate and uplift the freed slaves, emerged from the war’s devastation mystified but committed to a moribund “Southern way of life.”

A florid yet thorough and compelling history of missionary work and the 19th-century African-American experience both in America and abroad.

Pub Date: Oct. 8, 2013

ISBN: 978-0-465-00272-6

Page Count: 448

Publisher: Basic Books

Review Posted Online: Aug. 5, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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