A snapshot of a generation hopelessly conscious of their parents’ failures, at a loss as to how to proceed.
Shin’s unforgettable debut novel follows 30-something Kai as he navigates a painful breakup in Seoul.
Spending his evenings drinking in late-night bars and engaging in fleeting affairs with both men and women, Kai attempts to stave off the loneliness that’s hounded him since his partner left. He treks up a mountain in a snowstorm, ill-equipped and overcome with a kind of manic, reckless abandon. He visits his recently separated parents, brooding over their decision to part ways. He trespasses on his brother’s self-imposed isolation in hopes of rekindling their bond. Though his existential angst is poignant, his cynical derision toward others and morally dubious behavior makes him an unsympathetic protagonist. (Several of his sexual liaisons take a decidedly dark turn, forcing the reader to ponder the implications of a power imbalance in the bedroom—and Kai’s capacity for abuse.) Obsessively agonizing over his partner’s desertion, Kai becomes increasingly nihilistic—an ethos shared by his close friends, all of whom are facing their own crises. The perspective occasionally switches from Kai to his various friends, revealing not only their mixed feelings toward him but the toll that loveless relationships, addiction, violence, and warped self-image have taken on millennials. Shin suggests that the thread connecting their suffering is a sense of aimlessness, an inexorable void that none of them seem able to fill. Given that most of the characters are unlikable and the novel’s milieu is relentlessly bleak, the reader can’t be expected to feel a great deal of sympathy for Kai or his friends. But the skill with which the novel is crafted—blurring the distinctions between daydream, fantasy, and reality with lilting, metaphorical prose—is undeniable. Shin reinforces the directionless felt by her characters with a meandering, wonderfully unhurried plot. In the same way, the sense of disorientation prompted in the reader by the book’s shifting perspective and formal experimentation is undoubtedly designed to mirror the uncertainty felt by the characters. Shin masterfully locates the individual struggle to find meaning within a broader discourse, tussling with notions of class, gender, sexuality, generational divides, and war.
A snapshot of a generation hopelessly conscious of their parents’ failures, at a loss as to how to proceed.Pub Date: April 9, 2024
ISBN: 9781662602221
Page Count: 224
Publisher: Astra House
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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