A rousing crime tale with an indelible cast and a sharp, edgy environment.
In this debut thriller set during a pandemic, a New Jersey contractor finds romance while dodging a lethal mobster henchman.
For his contract work at a bank, Aloysius “Alby” O’Brien anticipates payment under the table. That’s perfectly fine, but since he’d rather not do asbestos removal, he farms the work out to three strangers. One of those hires does something with unexpected consequences—he swipes a signed cashier’s check that a dim bank executive left in the open. The theft itself isn’t surprising; what’s shocking is that the bank’s owners are mobsters. They want this mess cleared up in a week and send meticulous problem-solver Jagger, who’s armed with a fake FBI badge and homicidal intentions. Alby hunts for the thief, too, as the mob’s involvement has already complicated the quiet life he struggles to maintain. Years ago, while working in Baghdad, he was unwittingly entangled in an Islamic State group attack. United States government types spun the story so that Alby was the hero who thwarted the assault. This unquestionably put him on the terrorists’ hit list, forcing him to retreat to America and keep as low a profile as possible. But his present situation isn’t all bad, with charming diner waitress/Zumba instructor Ginger occupying his mind. While she shares with Alby a love of classic Hollywood musicals, Jagger tracks down the contract employees, leaving lingering threats and the occasional body in his wake. It’s not long before he’s eyeing Alby, an intriguing man with an oddly murky history. But now that Alby is dating Ginger, he’s not the only one in potential danger.
O’Neill infuses his series opener with a perpetual sense of unease. Jagger, for example, is a constant menacing presence, and readers know his ferocious search puts him closer and closer to Alby. In the same vein, the mobsters’ deadline ignites the story’s momentum, as each new chapter designates the day and time like a countdown. Even romantic interludes with Alby and Ginger hardly slow the narrative down. Their dialogue scenes pop, and their dates include such winsome bits as Alby’s mostly futile attempts at dancing. The titular pandemic enhances this story—it creates a brooding atmosphere rather than serving as the plot’s driving force. In this case, the near-future world endures Covid-22. Alby protects himself with the most elaborate mask available, while Jagger, who’s getting his hands dirty for the mob, makes sure to sanitize when mingling with the unvaccinated. Despite the romantic couple’s appeal, Jagger is the standout; it’s not his violent acts that prove the most terrifying but rather his painstaking dedication to his grim assignment. His actions often showcase O’Neill’s stark, concise prose: “He saw an empty garage with weeds starting to poke through the black parking lot tar; an abandoned business, two large bay doors with narrow glass windows near the top. Jagger got out and peered through the windows. The place was half-lit from the parking lot, so all he could see was a mess; trash and oil stains were the main inhabitants.” While this book offers a solid wrap-up, the author has two more installments in the works.
A rousing crime tale with an indelible cast and a sharp, edgy environment.Pub Date: Oct. 14, 2021
ISBN: 979-8985122404
Page Count: 342
Publisher: AESON Publications
Review Posted Online: Dec. 17, 2021
Kirkus Reviews Issue: Feb. 1, 2022
Review Program: Kirkus Indie
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
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