by Esko-Pekka Tiitinen & illustrated by Nikolai Tiitinen ‧ RELEASE DATE: April 1, 2012
The exquisite visuals don’t completely rescue this environmental fable from its heavy-handed and muddled message; theater,...
This play-turned-book, imported from Finland, opens with an idealistic dove approaching a world-weary owl to help alleviate the desertification in distant Africa.
A friendly whale transports the pair across the ocean. After the mammal’s beached siblings are rescued, and the destination is reached, the dove seizes on the solution of planting trees, but where to find seeds? Enter the wind, and the mission is carried to the four corners of the earth, reaching a koala, gorilla, panda and mountain lion. These creatures carry native seeds, while a boy brings water; the teamwork produces a seedling. In addition to being earnest to a fault, the dialogue-driven narrative bogs down in length and, at times, obscurity. The cause of the predicament is never explained, although there are asides about “saying something to humans.” The repeated refrain, “the strong give the weak the power to do more / when the wind is behind them,” only makes sense in context, diminishing its potential power. Realistically rendered animals are foregrounded, as on a stage, while Rothko-like backgrounds provide an aura of fantasy. The vibrant palette, strong contrast between warm and cool tones and sophisticated layering of colors effectively convey the splendor of nature.
The exquisite visuals don’t completely rescue this environmental fable from its heavy-handed and muddled message; theater, with its energy, movement and tighter scripting, it is still the better vehicle. (organization note) (Picture book. 5-8)Pub Date: April 1, 2012
ISBN: 978-84-15241-31-7
Page Count: 24
Publisher: Cuento de Luz
Review Posted Online: Feb. 28, 2012
Kirkus Reviews Issue: March 15, 2012
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by Kyla May ; illustrated by Kyla May ‧ RELEASE DATE: Dec. 26, 2019
A strong, accessible diary story for readers seeking an adorable animal tale.
Bub the anxious pug tackles snow days and new neighbors in his second outing.
Bub, acclaimed by some as “the cutest pug on the planet,” at first shares the enthusiasm owner Bella expresses about snow days even though he doesn’t know what they are. Then Duchess the cat (mildly antagonistic, in typical feline fashion) rains on Bub’s parade by pointing out that snow is water—and Bub’s no fan of rain or baths. After a comedic and disastrous first attempt, Bub learns how to properly dress for snow and enjoy it. The outdoor fun’s cut short by mysterious noises coming from the new neighbor, which frighten Bella into thinking there’s a monster. Bub puts on a Sherlock Holmes get-up to investigate but becomes afraid himself of the new neighbor’s large dog. Finally, Bella meets Jack, who’s been working on a tree fort, and his dog, Luna, who is enthusiastically friendly. The story ends on a positive note, as they all happily work together on the fort. The full-color cartoon illustrations, especially of Bub, are adorably expressive and certain to please the age group. The generous font and format—short, diary-entry paragraphs and speech-bubble conversations—create a quick pace. Bub’s stylized emoji bubbles return and are most hilarious when used to express his nervous flatulence. Bella and Jack both present white.
A strong, accessible diary story for readers seeking an adorable animal tale. (Fantasy. 5-7)Pub Date: Dec. 26, 2019
ISBN: 978-1-338-53006-3
Page Count: 80
Publisher: Scholastic
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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More by Tracey West
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by Tracey West ; illustrated by Kyla May
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by Sonia Sander & Kyla May ; illustrated by Kyla May
by John Hare ; illustrated by John Hare ‧ RELEASE DATE: May 14, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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