by Esmé Raji Codell ‧ RELEASE DATE: June 1, 2005
Hunky Dory is at the top of her class at charm school, destined to be the “wickedest witch wherever the four winds blow.” But Hunky Dory would rather work on wishcraft than witchcraft to become an F.G. (Fairy Godmother). “I can’t help it. It’s who I am,” she says. In a deliciously lively and inventive tale of one witch’s path to self-fulfillment, Codell displays charming wordplay, and offers allusions to Sleeping Beauty, Hansel and Gretel, Rumpelstiltskin, Baba Yaga, Heckedy Peg and a host of other characters in tales that readers will love recognizing. There’s plenty of wisdom about life here, too, and the admonition to be the best you can be. “If you’re going to leave us to be an F.G., don’t just be any F.G. Be the best one. The one everyone will talk about for years.” When she meets Cinderella, it’s a dream (or wish) come true. Similar to Susan Cooper’s The Magician’s Boy (p. 118), but for a bit older audience, this volume will send readers off to other tales they know but perhaps have never read. (Fiction. 7-11)
Pub Date: June 1, 2005
ISBN: 0-7868-0965-5
Page Count: 176
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2005
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by Suzy Kline ; illustrated by Amy Wummer ‧ RELEASE DATE: Nov. 27, 2018
A fitting farewell, still funny, acute, and positive in its view of human nature even in its 37th episode.
A long-running series reaches its closing chapters.
Having, as Kline notes in her warm valedictory acknowledgements, taken 30 years to get through second and third grade, Harry Spooger is overdue to move on—but not just into fourth grade, it turns out, as his family is moving to another town as soon as the school year ends. The news leaves his best friend, narrator “Dougo,” devastated…particularly as Harry doesn’t seem all that fussed about it. With series fans in mind, the author takes Harry through a sort of last-day-of-school farewell tour. From his desk he pulls a burned hot dog and other items that featured in past episodes, says goodbye to Song Lee and other classmates, and even (for the first time ever) leads Doug and readers into his house and memento-strewn room for further reminiscing. Of course, Harry isn’t as blasé about the move as he pretends, and eyes aren’t exactly dry when he departs. But hardly is he out of sight before Doug is meeting Mohammad, a new neighbor from Syria who (along with further diversifying a cast that began as mostly white but has become increasingly multiethnic over the years) will also be starting fourth grade at summer’s end, and planning a written account of his “horrible” buddy’s exploits. Finished illustrations not seen.
A fitting farewell, still funny, acute, and positive in its view of human nature even in its 37th episode. (Fiction. 7-9)Pub Date: Nov. 27, 2018
ISBN: 978-0-451-47963-1
Page Count: 80
Publisher: Viking
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: March 13, 2018
If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one.
Roz, a robot who learned to adapt to life among wild creatures in her first outing, seeks to return to the island she calls home.
Brown’s sequel to The Wild Robot (2016) continues an intriguing premise: What would happen to a robot after challenges in an unexpected environment cause it to evolve in unusual ways? As this book opens, Roz is delivered to a farm where she helps a widower with two young children run a dairy operation that has been in his family for generations. Roz reveals her backstory to the cows, who are supportive of the robot’s determination to return to the island and to her adopted son, the goose Brightbill. The cows, the children, and finally Brightbill himself come to Roz’s aid. The focus on Roz’s escape from human control results in a somewhat solemn and episodic narrative, with an extended journey and chase after Roz leaves the farm. Dr. Molovo, a literal deus ex machina, appears near the end of the story to provide a means of rescue. She is Roz’s designer/creator, and, intrigued by the robot’s adaptation and evolution but cognizant of the threat that those achievements might represent to humans, she assists Roz and Brightbill in their quest. The satisfactory (if inevitable-feeling) conclusion may prompt discussion about individual agency and determination, whether for robots or people.
If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one. (Fiction. 8-11)Pub Date: March 13, 2018
ISBN: 978-0-316-38204-5
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 2, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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