Hey, Etgar, don't give up the day job.




A bestselling Israeli author and TV comedy writer draws from previous story collections to introduce himself to an American readership

It isn't hard to see why a US publisher might think there would be a market for Keret’s fiction here: The Bus Driver Who Wanted to Be God is a veritable compilation of fashionable bad-writing tricks, with a level of humor that suggests Israeli sitcoms are not appreciably more clever than their American counterparts. The author uses a vaguely punk minimalist style, drawing tediously on “like,” “you know,” and by-now-stale scatology to mimic the voice of young urban anomie, but Keret can't hide a depressingly conventional sentimentality (or a certain smarmy misogyny) behind the fake toughness of his prose. The stories are mostly constructed around facile ironies and comedy clichés. “Rabin's Death” tells of a street fight precipitated by the fact that the narrator's cat, run over by a motorcyclist, is named for the late Israeli prime minister. The title piece is about a loser whose life is changed for the worse when the bus driver in question commits a unique act of charity. The protagonist of “Missing Kissinger” is torn between his demanding girlfriend and his overbearing Jewish mother, each of whom expects him to cut out the other’s heart. Even the novella, “Kneller's Happy Campers,” the only substantial work here as well as the only new one, is fairly threadbare: a first-person tale of the special afterlife reserved for suicides, said afterlife bearing a depressing resemblance to the hellish real-life world of suburbia. All of these pieces are rendered with a tiresome flatness that even the skilled translators cannot resuscitate.

Hey, Etgar, don't give up the day job.

Pub Date: Oct. 8, 2001

ISBN: 0-312-26188-8

Page Count: 176

Publisher: Dunne/St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2001

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It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers...

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Exploring humankind's place in the universe and the nature of humanity, many of the stories in this stellar collection focus on how technological advances can impact humanity’s evolutionary journey.

Chiang's (Stories of Your Life and Others, 2002) second collection begins with an instant classic, “The Merchant and the Alchemist’s Gate,” which won Hugo and Nebula awards for Best Novelette in 2008. A time-travel fantasy set largely in ancient Baghdad, the story follows fabric merchant Fuwaad ibn Abbas after he meets an alchemist who has crafted what is essentially a time portal. After hearing life-changing stories about others who have used the portal, he decides to go back in time to try to right a terrible wrong—and realizes, too late, that nothing can erase the past. Other standout selections include “The Lifecycle of Software Objects,” a story about a software tester who, over the course of a decade, struggles to keep a sentient digital entity alive; “The Great Silence,” which brilliantly questions the theory that humankind is the only intelligent race in the universe; and “Dacey’s Patent Automatic Nanny,” which chronicles the consequences of machines raising human children. But arguably the most profound story is "Exhalation" (which won the 2009 Hugo Award for Best Short Story), a heart-rending message and warning from a scientist of a highly advanced, but now extinct, race of mechanical beings from another universe. Although the being theorizes that all life will die when the universes reach “equilibrium,” its parting advice will resonate with everyone: “Contemplate the marvel that is existence, and rejoice that you are able to do so.”

Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers in a big way.

Pub Date: May 8, 2019

ISBN: 978-1-101-94788-3

Page Count: 368

Publisher: Knopf

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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