The author of several gay-themed stories and novels (Everybody Loves You, 1988, etc.), Mordden collects work by 14 writers, ranging from the highly acclaimed Michael Cunningham (``White Angel'') to the previously unpublished Richard Davis (``Marty''). The editor sets the stage with an excellent overview of gay fiction, from ``the first wave of Stonewall lit''—daring, albeit slightly precious—in the 1970s through the second wave that arrived in the mid-1980s and emphasized ``exploring the family- and-friends background.'' Most stories here are ``third wave'' in nature: ``political, archetypal, experimental.'' These writers, Mordden contends, are more activist and more stylistically inventive. This is certainly true of Jim Provenzano's ``Forty Wild Crushes,'' which takes the form of an elementary school memoir—with hilarious footnotes. But most of the other experiments fail. G. Winston James's ``John,'' a story about a black man in a 42nd Street sex shop, has potential, but it's impossible to follow the narrative as it intertwines past with present. Brad Gooch's ``Satan'' is a deplorably crafted mishmash of sexually explicit S&M imagery, exhibitionism at its worst. If these stories are any indication of where the third wave is headed, there are reasons to prefer its predecessors. The finest pieces here may not harp as insistently as second-wave fiction on the family/friends background, but neither do they present characters popping up out of nowhere. In ``Cruise Control,'' John Edgar Harris sensitively depicts changes in gay sex since the discovery of AIDS, presenting a conversation between the first- person narrator and a man 20 years his senior as they stroll through various Manhattan neighborhoods. Abraham Verghese's ``Lilacs'' tells of a man who's suffered from AIDS for nine years, longer than anyone expected; superbly crafted, this gentle tale suddenly turns into a nightmare. Some good moments, but many of these writers are so self- absorbed that they leave their audience little to relate to.
Pub Date: July 21, 1994
ISBN: 0-679-74477-0
Page Count: 272
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1994
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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