by Ethan T. Berlin ; illustrated by Edwardian Taylor ‧ RELEASE DATE: Sept. 7, 2021
Extremely—almost annoyingly—silly.
Santa needs a bystander to stand in for him, but a child can see right through the ruse.
Santa is at the home of a child whose present he left at the North Pole. He needs someone to stand in for him while he dashes back to grab the gift. The only one nearby is a cow, who eagerly agrees to the task. Santa insists that the cow not let on that she isn’t Santa. But despite the elaborate costume (which does not hide cowbell, tail, or hooves), as soon as the cow says, “Moo-moo-moo, Merry Christmas,” the child has doubts. When the child apologizes for being out of milk, the cow mysteriously produces some. The cow thanks the child for putting out the tree, since she loves to eat grass and trees. When the child declares that the cow is not Santa, she tries to play herself off as anything else—Mrs. Claus? An elf? The Easter Bunny? Nope. But just as the cow starts to explain, the real Santa shows up with armfuls of extra gifts for the child for being so nice this year. There is no rhyme or reason to the story, and the goofy cartoon illustrations only exacerbate the ridiculousness, but a fraction of children will find it giggleworthy nonetheless. The all-dialogue text is set in speech bubbles. Santa (the real one) presents White; the skeptical child has light-brown skin and a pouf of brown hair. (This book was reviewed digitally.)
Extremely—almost annoyingly—silly. (Picture book. 4-7)Pub Date: Sept. 7, 2021
ISBN: 978-1-338-65619-0
Page Count: 40
Publisher: Orchard/Scholastic
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Shohei Ohtani & Michael Blank ; illustrated by Fanny Liem ‧ RELEASE DATE: Feb. 3, 2026
A charming tale of an athlete who may not steal any bases but who will certainly steal readers’ hearts.
Ohtani, pitcher for the Los Angeles Dodgers, teams up with Blank and Liem to tell the story of how his dog, Decoy, threw out a ceremonial first pitch.
It’s a big day! Decoy leaps “off the bed. Then back onto the bed. Then off the bed.” The enthusiastic pup heads outside to practice with his lucky baseball but is quickly distracted by squirrels (“we’ll play later!”), airplanes (“flyin’ high!”), and flowers (“smell ya soon!”). Dog and pitcher then head to the ballpark. In the locker room, Decoy high-paws Shohei’s teammates. It’s nearly time! But as Shohei prepares to warm up, Decoy realizes that he’s forgotten something important: his lucky ball. Without it, there will be “no championships, no parades, and no hot dogs!” Back home he goes, returning just in time. With Shohei at the plate, Decoy runs from the mound to his owner, rolling the ball into Shohei’s mitt for a “Striiiiike!” Related from a dog’s point of view, Ohtani and Blank’s energetic text lends the tale a sense of urgency and suspense. Liem’s illustrations capture the excitement of the first day of baseball season and the joys of locker room camaraderie, as well as Shohei and Decoy’s mutual affection—even when the ball is drenched in slobber, Shohei’s love for his pet shines through, and clearly, Decoy is focused when it matters.
A charming tale of an athlete who may not steal any bases but who will certainly steal readers’ hearts. (Picture book. 5-7)Pub Date: Feb. 3, 2026
ISBN: 9780063460775
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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